A close-up look at life

Upcoming and seasoned artists give their perceptions at an exhibition at the David Hall, Fort Kochi 

Photos: 'She' by Radha Gomaty; 'The Lost Mother' by C.B. Bahuleyan, and an untitled painting by Abhilash Unni 

By Shevlin Sebastian

At the art exhibition at David Hall, Fort Kochi, one is taken aback by Radha Gomathy's 'She'. It shows a naked woman, with ripe breasts, sitting cross-legged and holding a white lotus in her right hand. On the left palm she is holding a decapitated shaven head. The eyes are closed and the lips are thick and sensuous. Where her head is supposed to be, there are three jets of blood shooting upwards and then turning in a semi circle and falling sideways. At the back, there is a white crescent moon. The mood is sombre and gripping.

“This is based on the image of Chinna Maasta,” says Radha. She is one of ten Tantric goddesses and represents a ferocious aspect of the Divine Mother Devi. “The head is a symbol of removing the ego,” says Radha. “Not a drop of blood is wasted. One stream goes directly to the head. The others go into the ground where it becomes whorls of energy. The blue walls also radiate energy.”

After drawing the image, Radha felt that it conveyed an image of violence. So, to soften the impact, she drew the lotus and moon. “The moon is a representation of the mind, while the lotus indicates calm and peace,” she says.

Artist C.B. Bahuleyan has done an acrylic on canvas called 'The Lost Mother'. It shows a whitewashed wall and, in the middle, there is a splotch of blood and a line rolling down. At the bottom, there are a couple of decaying leaves. On the left side, a small plant is growing.

“The inspiration is personal,” he says. “My mother, a powerful personality, has stayed out of touch for the past three years. She is travelling to holy places like Kashi and Varanasi. The reason for the blood is that my mother has caused me pain. The leaves indicate that there is a possibility of a fertilisation process taking place. Maybe, my relationship with my mother will get better.”

Abhilash Unni's acrylic on canvas looks simple. It is a series of houses with asbestos roofs, one placed on top of the other. The light shines through the windows, while in a hole in a nearby tree, there is a symbol of a trishul. “There is a deeper meaning to this,” says Abhilash. “I just wanted to show how the Dalits suffer from a perpetual shortage of land and they have to live crammed together. There is no space for Dalits in the political, financial and cultural spheres.”

He says that even though Mahatma Gandhi is regarded as the Father of the Nation, he pushed back the cause of the Dalits by refusing to support the community's demand, as propagated by their leader B.R. Ambedkar, to support a separate electorate for them, during the British era. Gandhi said that it would lead to the disintegration of Hindu society. “That impact is felt even now,” says Abhilash, a Dalit.

G. Prathapan has done a painting which portrays a group of women, using a coracle (small lightweight boat), as a shade and mending their fishing nets, while sitting on an island that is shaped like a cone. “These are women from Bengal and Assam ,” he says. “Their whole life is a journey traveling from place to place, collecting and selling fish. On the way, marriages take place and children are born.” Once while traveling over a bridge, near the Le Meridien hotel, Kochi, he saw this sight and was inspired to paint it.

Sanal has drawn a picture of three men, with dramatic hairstyles, with black, blue, and red skins, and wearing striking jerseys. The unity of man despite colour and racial differences seems to be the message.

The other artists who have put up their paintings include Balamuralikrishnan, Purushottam Adve, Sunil Vallarpadam, Manoj Vyloor, Srikumari, Norman Tagore, Rajesh Ambalkar, Cynthia Prabhakar, Deepak Khandelawal, Shyama, Vishaka Apte and Wilfred K.P.

 
“The paintings have been produced at different art camps – at Swaswara and Spice Village resorts and the Casino Hotel itself – and sponsored by CGH Earth,” says curator Padmini Krishnan.

(The New Indian Express, Kochi) 

A reality check on life

Thanks to the quiz show, 'Ningalkkum Agam Kodeeswaran', anchor and popular actor Suresh Gopi has got a picture of the state of Kerala society

By Shevlin Sebastian 

 

A grim-looking Suresh Gopi gets up from his chair and comes and stands next to contestant B. Sobha on the sets of 'Ningalkkum Agam Kodeeswaran' (NAK), the Malayalam version of ‘Kaun Banega Crorepati’. He stares at the studio audience and tells Sobha’s husband, “I am so sorry, Sunil Kumar.” There is a stunned look on Sunil’s face. His teenage daughter, Sreelakshmi, sitting beside him, is on the verge of tears. The onlookers are stunned into silence. 

But it is an emotional sleight of hand. Because, suddenly, Gopi turns to Sobha and shouts, “Congratulations! On this show, this is the first time I will be writing a cheque of Rs 25 lakhs.” As Sunil stands up, as if he has received an electric shock and claps enthusiastically, Gopi embraces Sobha. 

Asked what she will do with the prize money, Sobha says, “I want to buy a house, and clear all our debts. Then I want to give a good education to my two daughters.”

A few weeks later, Gopi says, “I cannot forget Sobha's story.” The contestant is working in the Kerala Coir Cooperative Society at Kadaikkavoor [32 kms from Thiruvananthapuram]. She had not been getting her salary for the past two years. 

Asked why she continued working, she said, “If I give up my job, I will become depressed. Even if the salary is not forthcoming, I am engaged throughout the day and after around 15 years, I will get a pension. If I leave the job I will not have a financial security during my old age.” After she won, Sobha said, “These are the wages that God has given me.” Says Gopi: “The message to the people is: If you are genuine and sincere and have hope, one day it will pay off.”

Ever since he became the anchor of NAK, in April, Gopi has gained a deeper understanding of Kerala society. “Most of the participants are going through a severe financial crisis,” he says. “Some have seriously thought of ending their lives and those of their families. If there are 50 episodes, in at least 40, the participants are people who are trying to come out of deep, dark wells. What does that indicate?  They want to have a big lump of relief.”

Gopi, on the other hand, thanks to talent and good fortune, does not need any relief. Nevertheless, listening and interacting with the contestants has had an impact on him. “I have a persistent ache in my chest for the past four months,” he says. “And I attribute it to all the tragic stories that I have heard so far. Every contestant has a different story to tell. The volume of sorrow that they are going through is unbelievable.”

The impact of the show has also been unbelievable. It has high TRP ratings and many are glued to it from Monday to Thursday. Lakhs of people have sent in their applications to take part. “The show has become a hit because it touches the hearts of the people,” he says.

For Gopi, this has been a step in a new direction after more than two decades as a leading film star. So, how is TV different from films? “In cinema, you are rarely able to portray your own character,” he says. “But on TV, I am the real person: not Suresh Gopi, the actor, but Suresh G. Nair, the human being.”

And in order to prepare for his role as an anchor, he went for a five-day workshop with quiz-master Siddharth Basu, whose company 'BIG Synergy' is producing the show. “The main aim was to make the show engaging, educative, dramatic, and inspiring,” says Basu. “I just wanted to familiarise Gopi with the mechanics of the show.”

Months later, Basu is very happy with Gopi's performance. “He does it with tremendous gusto and drama,” he says. “I admire his commitment, diligence, and zeal. Suresh Gopi has a singular style and personality. Thanks to him, the show has been a resounding success.”

(The New Indian Express, Kochi and Thiruvananthapuram) 

Coming together after a long gap

Shaji Kailas and Jayaram are working together after 21 years in the film, 'Madhirashi'

Photo: Actresses Meghna Raj and Meera Nandan

By Shevlin Sebastian

“After 21 years, I am making a film with Shaji Kailas,” says actor Jayaram at the puja ceremony of the film, 'Madirashi' at the Le Meridien, Kochi. Their last film together was 'Kilukkampetti'. “It is a very nice script by Rajesh Jayaram. I wish the best of luck to the two producers, Kichu Films and Impresario, since this is their first film.”

Jayaram looks dapper and casual at the same time: a brown shirt over torn blue jeans and black shoes. Acting opposite Jayaram as heroines are Meghna Raj and Meera Nandan. While Meghna caught the eye wearing an off-the-shoulder black dress, outsize earrings, and silver-coloured stilettos, Meera was in a traditional green and maroon salwar kameez.

Says Meera: “I am very glad to share screen space with Jayaram. I have hosted many events for Impresario, so I am happy to be acting in their first film.” Meghna also expressed her joy to be in the film.

The lamp was lit by veteran directors Joshy, senior actor Janardhanan, director Shaji Kailas, Milind Jameel, the president of the Kerala Film Producers' Association, and Harish Babu, the Managing Director of Impresario, among others.

Harish says, “We had always wanted to enter the film industry, but did not get the right opportunity. We feel that the future in Malayalam films is of corporates making films. As a company, we also wanted to reach out to the mass market. Thus far, we have done many events for the corporate world.”

The 40-day shoot of 'Madhirashi' will commence on July 10 and will be done on location in Palakkad, Coimbatore, and in a village called Madhirashi, just like the film's title, near Coimbatore. “The story is of a village boy who goes to the town one day to buy a bicycle,” says director Shaji Kailas. “He wants to take part in the national cycling championships. However, in the town an incident takes place and the boy is also caught up in it. The story continues from there.” 

(The New Indian Express, Kochi and Thiruvananthapuram) 

'Kunjan is a humourous person'

COLUMN: Spouse's Turn

Shobha talks about life with her actor-husband

Photo by Mithun Vinod 

By Shevlin Sebastian

Shobha was in Class 8 when he saw actor Kunjan in the film, ‘Resthouse’. “I had gone with my classmates to see the film,” she says. In the film, Kunjan was part of a group of college students, which included Prem Nazir, Ummer and Adoor Bhasi. “Kunjan looked like a hippie, with his long hair and bell-bottom pants,” she says. A few years went by. Shobha began working as a beautician in a parlour at Kochi called 'My Fair Lady'.

Then from several directions, she received a marriage proposal, all for the same person. “One of my regular customers, Usha Maam, told me that there is an actor called Kunjan,” says Shobha. “She said he is a nice person, so why don't I marry him?”

Shobha’s mother’s friend, Mary, stayed at Fort Kochi , near Kunjan’s family ‘tharavad’. Mary said, “Kunjan is a nice boy and has a good character. Maybe Shobha could marry him.”

Then Shobha’s former classmate Hazel Collis said that Kunjan was her brother Ivor’s close friend. “He is 365 per cent a good person,” she said. “Let him come and see you.”

Like all people, Shobha had apprehensions about marrying somebody from the film industry. Plus, Kunjan was not a hero and played all sorts of side roles, wearing odd costumes. Nevertheless, an official meeting was set up.

“I was shocked when I saw him for the first time,” says Shobha. “He was not at all like how I had seen him in the films. He was a well-behaved person and looked smart. Kunjan told me he was not a superstar like Mammooty or Mohanlal. When he travelled by flight from Chennai to Kochi it was because the producer was paying for the ticket.”

Kunjan also told her that a film career is an uncertain one; sometimes there would be roles, at other moments, there would be nothing. “During tough times, he told me we would only be able to have ‘kanji’ and water,” says Shobha. “He talked in a frank manner. I liked that about him.”

After pondering for a while, Shobha gave her assent. They got married on April 28, 1985. And right from the beginning, Shobha realised that her husband was different. “Kunjan always said that there was no need to cook his food or pack his clothes. He did it all by himself. He told me not to wait for him if he is late from a shoot and insisted that I have my dinner, instead of waiting to eat with him.”

And like most men, he is a doting father to his daughters, Swetha, now married and just become the mother of a baby boy, and Swati, doing her Plus Two in Bhavan’s Vidya Mandir school at Girinagar. “He is not at all strict as a father,” says Shobha. “Kunjan is very caring, a family man.”

Other qualities include his sense of humour. “He is always cracking jokes to make me laugh,” says Shobha. “All the women, both in the industry and outside, love him. I am proud of that.”

Asked about his negative traits, Shobha says, “In the earlier years, I felt that he lacked ambition. He would not contact people and ask for roles. He says that a role will come to you only if you are destined for it. He is very relaxed, but I am not like that. I am very ambitious. But now, after so many years, I am okay with his attitude.” Incidentally, so far, Kunjan has acted in over 450 films.

Another negative point was that he would never go for parent-teacher meetings at school. “Even if he is at home, he would not go,” says Shobha. “Kunjan felt that he would draw attention to himself. That was painful for me. I wished he came along. I had so many things to handle.”

In 1985, Shobha set up a beauty parlour, 'Live in Style', and it is still going strong. Many celebrities are her clients. They include notables like Lissy Priyadarshan, Manju Warrier, Sulfath Mammooty, Suchitra Mohanlal and young heroines like Samvrutha Sunil, Reema Kallingal and Remya Nambeesan.

Meanwhile, asked for tips on having a long marriage, Shobha says, “You have to adjust to each other because during a marriage there will be many difficult moments.” She says that one of the most important duties is to love the husband's family, as your own. “Your in-laws want your love and affection,” she says. “One must never ignore them.” 

(The New Indian Express, Kochi and Thiruvananthapuram)  

Big Bang Baburaj!

After years of playing a goonda, Baburaj's makeover as a comedian has made him a star and an audience favourite

Photo: Baburaj playing a cook in ‘Salt 'N Pepper’

By Shevlin Sebastian

Last year, Baburaj had gone for an awards function in Dubai. He was being felicitated for his role as a cook in ‘Salt 'N Pepper’. A couple came up to him with their two-year-old daughter. As soon as the child saw Baburaj, she said, “Two Radhas,” and jumped into his arms. This was one of Baburaj’s dialogues in the film, when he goes to a shop, and asks for two pieces of Radhas ayurvedic soap.

The parents told Baburaj, “Before saying Acchan and Amma, she said this.”

In Chembumukku, a suburb of Kochi, Baburaj had arrived for the shooting of the film, ‘Idiots’. As soon as the news spread, several children ran up to greet him. Some even hung from his muscular arms. “Children are my biggest fans now,” he says.

But this is a far cry from his sixteen-year-long career as a goonda, an assistant to the villain in Malayalam films. “During those years, women and children would stay far away from me,” he says, in his air-conditioned trailer van at Chembumukku. “They identified me with my roles too much.” When Baburaj would go for a function, people would keep a safe distance from him.

But when he played a policeman in Aashique Abu’s ‘Daddy Cool’, in 2009, there was a touch of humour in it. “When it was shown in the theatres, the audience laughed during my scenes,” says Baburaj. “Aashique noted that, and for his next project, 'Salt 'N Pepper', he asked me to play a slightly effeminate cook. There were many funny moments in the film.”

Of course, even in Malayalam cinema, the concept of comedy has changed. Earlier, there would be one page of dialogue. “Now all you have to do is to have a funny facial expression,” says Baburaj. “Just like Mr. Bean or the silent Charlie Chaplin films.”

But the industry took some time to accept Baburaj's makeover as a comedian. Some said that Baburaj's acting in 'Salt 'N Pepper' was a fluke. In fact, for two months after the film had released, and became a hit, he did not get a single call. Anxious, he turned to veteran director Lal for advice. Lal said, “Be patient, the roles will come.”

And the roles did come. Later, he acted as a comic goonda in 'Second Show', which was superstar Mammooty's son Dulqer Salman's debut film. In 'Ordinary', the first super-hit of 2012, he played a drunkard. “This confirmed me as a comedian,” says Baburaj. “To be frank I have no comic skills. But whenever I speak, people laugh. So I am lucky.”

For many years, Baburaj did not think he was lucky. He struggled in bit roles. “I have jumped off bridges, buildings, and cars and suffered multiple fractures,” he says. Since his income was poor, he dabbled in activities like being a toddy shop owner, a real estate agent, and a businessman. In films, he tried his hand in direction, as a producer, and a scriptwriter, but did not find success.

“To succeed in the film industry, you have to hang around, and be resilient, no matter what happens,” says Baburaj. “Don't give up hope. You have to dig and dig. The chances will come. There will come a time when people will come in search of you.”

The actor -- who is married to former action heroine Vani Vishwanath, and has two children -- has signed to act in more than a dozen films this year.

Baburaj has finally made a Big Bang!

(The New Indian Express, South Indian and New Delhi) 

Going here, there, and everywhere

Members of the Y's Men Young Cochin Club set out on a 2000 kms journey without any fixed plans or itinerary

By Shevlin Sebastian

When the Kochi-based Franco Jose and his friends reached Kemmangundi in Karnataka, it was pitch-dark. “There was a power cut,” says Franco. Since they had no hotel booking, they searched everywhere till they landed up at a lodge, belonging to the Karnataka government’s department of horticulture. 

“We saw a dormitory, with the help of a candle,” says Franco's friend, Binu Marangoly. “It was a dingy place. Some of us had apprehensions. But what made us stay was the wonderful weather.” It was cold and pleasant, because Kemmangundi was 5,000 ft above sea level. But there was one sight which created further unease.

Just outside the door there were more than 30 dogs milling about. “They were waiting for some food,” says Franco. “We were frightened to see them.” Nevertheless, because of the late hour, they stayed on.

After they ate food, they threw the leftovers to the dogs. “Unfortunately, the whole night, these dogs were fighting with each other and we could not sleep,” says Binu.

The next morning, the group was taken aback by the sheer beauty of the hills all around them. “In fact, it is more beautiful than Munnar and there were few people and buildings around,” says Franco.

Thereafter, they followed a mountain trail for a while. It was much later that when they checked on Google Maps, they were able to locate the same trail. “It seemed Google has mapped out the entire world,” says Franco.

And as for the dogs, when the group went to the canteen to have breakfast, the animals followed them silently.

Franco, Binu, and their friends – M. Benny Thankachan, Jayan Charles, Paul Sajan and Thomas Joseph – belong to the Y's Men Young Cochin Club. All of them are successful businessmen and professionals, in their forties. They wanted to do something different. 

“Somehow, we did not want to go to the routine places, like Chennai or Ooty,” says Binu. “We wanted to travel in an unplanned manner. Instead of going directly to one destination and staying three or four days, we wanted to explore places we had not seen before.”

It helped that they were travelling in the ‘Discovery' Land Rover. “It has such wonderful suspensions that even when we went over rough terrain, the glass of water that I placed on the dashboard did not overturn,” says Binu.

From Kochi , they went to to Peravur, near Thalaserry. There, they explored the Aralam Wildlife Sanctuary. There was a watchtower, which they went up and were able to get a 360 degree view. “It was a wonderful sight,” says Franco. “The trees were about 40 feet high.” At a nearby stream, the group indulged in swimming.

From there, they went to the Manipal, where three of them – Jayan, Thomas, and Benny – wanted to see their former alma mater: The Manipur Institute of Technology. At 7 p.m., they set out from Manipal and landed at Murdeshwar. At a resort, an elderly man, on seeing the group, quipped, “Guys, are you running away from your wives?”

The next morning, the group was amazed to see that they were near the Arabian Sea. “The beach was unspoilt,” says Binu. “We helped the fisherman to pull the nets.”

When they left, they stopped at a Shiva temple. “The Shiva statue, 123 feet high, was jutting out into the sea,” says Franco. The statue was built by several sculptors, and financed by a Karnataka businessman and philanthropist R.N. Shetty, at a cost of Rs 50 crore. The idol is designed such that it receives the sunlight directly and thus appears sparkling all the time.

As they travelled on Highway No 17, randomly, they would take detours and explore the countryside. Says Franco: “The beauty was breath-taking with rains giving a mystique look and feel throughout our journey.” Adds Binu: “We just wanted to follow whereever our whim took us. Thanks to the Land Rover, we could drive over any sort of terrain.”

At night, they landed in Goa and spent two days on Baga Beach . They loafed around, even though it was raining heavily and ended up having meals in shacks. One shack had the unusual name of St. Anthony’s bar. “We were wondering what would have happened if a name like that was put up on a bar in Kerala,” says a smiling Binu.

On the journey from Goa to Bengaluru, they visited the Jog Waterfalls. But since Thomas knew of a small waterfall deep inside a forest nearby, they went in search of that and found it and had a gala time. Thereafter, they took more detours, before reaching Kochi after travelling a distance of 2540 kms.

“We could do this, because we did not take our families along,” says Franco. “There is an element of risk. But to pacify our wives, we told them we would be taking them along on our next trip, which is to explore the north-eastern states.” 

(The New Indian Express, Kochi)

A yarn about the yard

Author Vadayar Sasi has written a book about the Cochin Shipyard 

By Shevlin Sebastian 


In 1966, the members of the Shipyard Evictees Association made a large bamboo-framed paper boat called the ‘SS Cochin Rani’. Thereafter, they took the boat all over Kochi and let it down from the Venduruthy Bridge. “The point they wanted to make was that the shipyard existed only on paper,” says author Vadayar Sasi of ‘Cochin Shipyardinte Katha; Kochiyudeyum’ (The Story of the Cochin Shipyard and
Kochi ). "No action had been taken despite acquiring 100 acres.”

This act received wide coverage in the newspapers all over India. Finally, it came to the attention of Prime Minister Indira Gandhi, who decided to take action. The Cochin Shipyard came into being on April 29, 1972.

However, the first employee, Jacob Chandy, was appointed on June 8, 1961. Soon, a watchman and an estate manger were appointed. The Central Government opened a small office. “But for a few years there was an uncertainty about whether a shipyard would be set up or not,” says Sasi. “Sometimes, there would be news in the media that something was going to happen. Then there would be silence.”

The people who lived in the area wondered what to do. Some sold their land to the government and left. Others were waiting to see what would happen. Finally, the paper boat protest took place and things began moving forward. Eventually, the Government of India acquired an area of 170 acres.

Sasi, who retired as Senior Manager (Civil Engineering), after a 36-year career, had always wanted to write about the shipyard. “I was doing day-and-night supervision at various construction sites,” he says. He had a pocket diary where he jotted down points linked to his supervisory work, but also made notes on whatever he saw, from a literary point of view.

This is because Sasi is a short-story writer. One of his short-story collections, ‘Abhilash Nagarile Ayalkar’ won the SK Pottekkat award. “In fact, the shipyard has been an inspiration in my creative writing also,” he says.

At that time, the engineers used a jeep to travel from one site to another, and for rescue operations, in case of accidents.

One day, the jeep was parked on top of a ramp. Suddenly, it rolled down and landed at the bottom. Between the repair and the building docks, there had been a crematorium. “When accidents took place, the employees would put the blame on the ghosts roaming around,” says Sasi. “This time also, they said that  a ghost had pushed the vehicle. Most probably, the driver put the jeep in neutral gear and that was how it rolled down. But I wrote a short story to show that there was no such thing as ghosts and got it published.”

Incidentally, the first ship, ‘Rani Padmini’, was built in 1981.It is the only yard in India which can build ships upto 1.10 lakh DWT and repair them up to 1.25 lakh DWT (DWT = Dead Weight Tonnage). At the shipyard, tankers, bulk carriers, port crafts, passenger vehicles, as well as aircraft carriers for the Indian Navy have been built.

The yard has two international class dry docks. Apart from that, there are three quays, having a total length of 1000 metres, and 80 cranes, including two gantry cranes of 150 and 300 tonne capacity.

Financially, the shipyard is doing well. In 2009-10, the turnover was `1248 crore, with net profits of `223 crore.  At present, the employee strength is 1850. This includes officers, supervisors and other employees. In addition, there are thousands of indirect employees.

The 148-page book has several black and white photographs of events that have taken place in the shipyard. Sasi had focused on the history, on ships (from wood to steel), employees, quays, and the changing face of Kochi.

Priced at `100, the book is available at all National Book stalls all over Kerala.

(The New Indian Express, Kochi) 

A timeless melody

COLUMN: Spouse's Turn 

Ashwin Shashi courted Shweta Mohan for eight years before marrying her

By Shevlin Sebastian

'Ashwin, I am happy we stood the test of time

Cause without you I could not have sung this song of mine

Right here, right now, I have you

And life cannot get better!’

When Ashwin Shashi got engaged to the singer Shweta Mohan on April 18, 2010, she gave him a MP3 recorder. “I thought it was just a gift,” says Ashwin. “But then Shweta told me to listen to the song in it. I did so and was shocked.”

It was in English. Then Ashwin understood it was in Shweta's voice, and finally, he realised that the song, ‘Music in my heart’, was about him. “Shweta had written the lyrics and composed the music,” he says.

Of course, one sentence was telling: ‘I am happy we stood the test of time’.

Ashwin first met Shweta in July, 2003. Ashwin’s sister, Arati, and Shweta were friends and studied together at Stella Maris College at Chennai. While Arati opted for a mathematics degree, Shweta did economics. “But they were members of the culture club at college and sang together,” says Ashwin. Now and then Shweta would drop in at Arati’s home. Soon, Ashwin and Shweta became friends.

However, in 2004, Ashwin graduated from the College of Engineering, Madras University, and then went to Pennsylvania, USA, where he began working for General Electric. “We stayed in touch through the phone,” he says. “By this time, we realised that we had something much more than a friendship.”

But the years did go past. In 2009, Shweta's family – singer Sujatha and her husband Dr. Krishna Mohan – began looking for a groom for her. “That was when Shweta and I seriously started discussing the next step,” says Ashwin. “There was no doubt that we wanted to share our lives together.”

Fortunately, both families knew each other well, and so there was a mutual agreement. The couple got married on January 16, 2011, eight years after they first met.

Asked about the qualities that he admires the most in Shweta, Ashwin says, “She is calm and composed. Shweta has an accommodating nature.”

Many people had told Ashwin that there was a strong possibility of Shweta not being a good match. “The fact that she could be a pampered girl, because she is an only child, and the daughter of a celebrity,” says Ashwin. “But Shweta is nothing of the sort. She is a down-to-earth girl and I have to thank her parents and grandmother for keeping her grounded.”

Apart from her character, Ashwin admires his wife's talent. In fact, whenever this Chennai-based businessman travels to and from work, he only listens to Shweta’s songs. And he has a few favourites: 'Aaraanu nee' from the film, 'Thiruvambadi Thamban', 'Aaro nee aaro' from 'Urumi', and 'Mavin chotile' from 'Oru naal varum'.

“Singing is a passion for Shweta, just like her mother,” he says. “She is completely focused on her career. I like people who are like that.”

In fact, her dedication is so intense that if a recording does not go well, it haunts her for a long time. “Shweta self-evaluates her performance all the time,” says Ashwin. “And that can get stressful. Thankfully, after our marriage, it has reduced a lot.”

It is difficult to hit the bull's eye every time. “On certain days things can go wrong and I tell Shweta that she has to accept that and move on,” says Ashwin.

But, at the same time, Ashwin knows that this sort of behaviour is part of Shweta's nature. “For an artiste, the right brain is more dominant than the left. So, she is sensitive and emotional. And at times, she can feel hurt when things don’t go well.”

Asked about her negative points, Ashwin says, “I am an organised kind of guy, and fix a daily schedule for myself, but Shweta is not like that. She goes with the flow of the day.”

Today, of course, Shweta is the celeb in the family but Ashwin has no problems with that. “It is important for her career that Shweta becomes widely known,” he says. “And at the end of the day, when we both return from work, it is not like I am living with a celebrity. She is just my wife.”

Ashwin has the same practical and clear-eyed attitude about relationships. “If you decide that one’s end goal is to stay together, then you will make the right moves,” he says. “It is like running a company. There will be ups and downs, and a lot of fire-fighting that goes on. But you don't quit just because there is a problem.”

(The New Indian Express, Kochi and Thiruvananthapuram) 

Trumpeting his music

Trumpeter Eric Vloeimans and his band, 'Gatecrash', impress a well-heeled audience with their jazz-pop repertoire

By Shevlin Sebastian

In Amsterdam, one day, Eric Vloeimans heard his friend, Sandip Bhattacharya play a tune on the tabla. “It was a haunting sound,” says Eric. “I was immediately attracted to the music.” Soon, he learnt to replicate the same sound on the trumpet. So, it was no surprise that when Eric and his band gave a performance at Kochi, organised by the CGH Earth group, he launched into the same song.

Interestingly, he did not know the name or its significance for the Indian psyche. Very haltingly, in heavily accented Dutch-English, he repeated what a guest told him, 'Sare Jahaan Se Accha'. Not surprisingly, the audience reserved the biggest applause for this intense rendering of the classic, famously sung by Lata Mangeshkar.

Eric was accompanied by his band, 'Gatecrash', which included Jeroen van Vliet on Fender Rhodes and keyboards, Gulli Gudmundsson on bass, electric basses and effects, and Jasper van Hulten on drums.

They began the recital with a song called 'Bolero', which had a slow beginning, then built up a solid tempo, before ending again on a soft note. On some songs, Eric dominated with the trumpet, while on others it was the keyboard and, sometimes, the bass. When he was not playing, the curly-haired Eric, wearing a multi-coloured shirt, pink trousers, and silver shoes, closed his eyes as if he was in a state of meditation.

“Music is very spiritual,” he says. “It is something you cannot touch. It contains an energy of the heart. I play it with utmost sincerity. Every human being is connected to each other through the energy that is present in the Cosmos.”

Eric admits that he is not a believer in a God with a white beard. “There is so much of trouble in the world because of religions,” he says. “People go to war with each other saying, 'My God is better than your God.'”

Incidentally, Eric is one of Holland 's feted musicians, and has travelled all over the world, playing in front of diverse audiences. Occasionally, he has been taken aback by the reactions of the listeners.

“People can be very enthusiastic in India,” he says. “In China, they are impolite and talk on the phone right in front of you. That can be unsettling. In South Korea, they shout and go crazy. In certain countries in Europe, like France, the audience can be snobbish, and will clap sparingly and show no emotion. But the Germans, who lead a regimented and disciplined life, are voluble at our concerts. As for the Kochi audience, they showed their enjoyment with good applause.”

One of the Kochi audience members was businessman Satish Pratap. “It is difficult for those who listen to jazz for the first time to connect with the music,” says Satish. “But Eric’s mix of jazz-pop made it very popular with the crowd. It was a classy performance.”

At Kochi, ‘Gatecrash’ had an unique experience. They played in front of mentally challenged children. “I was touched,” says Eric. “Most of the time, our audience comprises of people who are well-off. So, to play for the disadvantaged was a privilege.”

Eric, of course, leads a privileged life. “Music is my passion,” he says. “I work 24/7 and enjoy every moment.” Asked whether it is difficult to make ends meet, Eric says, with a smile, “I am not a millionaire, but I am earning well enough to pay the mortgage and have a comfortable life.”

But like all musicians they are losing money to rampant piracy and the menace of free downloads. “There are too many loopholes and the music industry does not have an answer on how to plug it,” says Eric. “In China, and many other countries, illegal downloading is commonplace. It is a sad situation for all artistes.”

It is the only moment in the interaction when his face droops. Otherwise, he is lively, sincere, and joyous all the time.

Just like his music.

(The New Indian Express, South India and Delhi) 

The 'Second Show' goes on....

Rising star Dulquer Salman and the crew celebrate 100 days of the film

Photo: Dulquer Salman (extreme left) with the crew of the 'Second Show' 

By Shevlin Sebastian

When Jose Thettayil, the MLA of Angamaly, saw a preview of the film, ‘Second Show’ at the Cinemax, Kochi, in March, he was taken aback by the swift cuts and shooting done with a hand-held camera.

“It was a film far ahead of the times,” he says. “'Second Show' was an explosive experience for me.” Later, Thettayil called up superstar Mammooty and told him, “Your son [Dulquer Salman] has acted better than you on your debut.”

Thettayil was speaking at the 100-day celebrations of ‘Second Show’ in Kochi, organised by the producers, AOPL Entertainment Pvt. Ltd. Says Managing Director, Prashant Narayanan: “It was a journey of one-and-a-half years. We have come to the end of the ‘Second Show’. Now it is time to move on to the third show.”

The audience comprised members of the film industry, theatre owners, and the media. Film director Srinath Rajendran says that it was a genuine effort made by all during the making of the film. “That is why the film has crossed one hundred days,” he says.

While the other actors spoke, the cynosure of all eyes, was, of course, on rising star Dulquer. He was dressed in a tight white shirt that revealed his muscular arms, blue jeans, and pointed black shoes.

“When I flew to Kozhikode for my first day of shooting, I was all alone,” says a constantly-smiling Dulquer. “I knew I was going to spend the next two months with a group of people I have never met before. Nevertheless, I felt a sense of peace.”

Dulquer went on to praise the crew of the film. “It was a team without any egos,” he says. “All the guys, including Gauthami [Nair, the heroine] are very close to me. Even now when I receive a SMS from any of them, I feel as if it is a member of my family who is sending it. It was like a college project. Thanks for giving me the break.”  

Meanwhile, all the theatre owners, across the length and breadth of Kerala, who had shown the film, as well as the crew members, received plaques commemorating the 100 days. Prize-givers included veteran actor Kunjan and Vinod Mathew Jacob, the Resident Editor of the New Indian Express.

In his vote of thanks, Vivek Ramadevan, the CEO of Content and Marketing, AOPL, spoke of how they stumbled on the idea of making Dulquer the hero. “I went and met Mammooty a few times, and wanted to narrate the story, but was not able to do so,” says Vivek.

One day, Mammooty told Vivek, when the latter asked once again for time, “I don’t have time to listen to the scripts of my own films, how will  I find time for my son’s script?” Eventually, the superstar gave his son’s number, and Vivek contacted Dulquer. The latter liked the script and agreed to act in the film.

And changed the course of his life.

(The New Indian Express, Kochi and Thiruvananthapuram)

“He does not have the airs of an actor”

COLUMN: Spouse's Turn 

Betty talks about her life with husband Munna

By Shevlin Sebastian

Betty got an invite from her friend, Sarah George, to see the preview of the Tamil film, ‘Kandein Kadhalai’. At that time, she was working in a public-relations agency at Chennai. At the show, Betty was introduced to actor Munna by Sarah. “I was instantly attracted to him,” says Betty. “He did not have the airs of an actor. Instead, he was a simple, sweet, and down-to-earth person.”

After the film, Betty complimented Munna on his acting. He plays the boyfriend to the heroine, [Tamanna], but loses her in the end to the hero, acted by Bharat.

From then on, they remained in touch through SMSes and phone calls. On December 20, 2009, Munna invited Betty to the inauguration of his coffee shop, S-Cafe. “We had a long conversation that day,” says Betty. “I met all his friends and cousins.”

Thereafter they went for a long car ride in which Munna told her about his family and spoke about life. “I was wondering why he was telling me all this,” says Betty. “Then he asked me whether I was planning to get married. I said yes.”

At that time, Munna was recovering from a broken engagement. Soon, Munna’s family met Betty’s parents in Thrissur and a wedding date was fixed.

The couple tied the knot on February 7, 2010. So, within three months of meeting Betty, they had got married. “We are crazy about each other,” says Betty. But now, after two-and-a-half years of marriage, Betty has a clearer picture of Munna’s character.

“Munna never forces anything on me. He allows me to dress in any way I like. He gives me a lot of freedom and encourages me to do whatever work I like to do,” says Betty, who is doing freelance online movie promotion.  

Negative points: “When he gets angry he never opens up,” she says. “Instead, he will remain silent. I get irritated by that. When I lose my temper I tell him what is in my heart.”

Both of them had a heart-stopping experience on December 4, 2010. Munna, Betty, her brother, Stalin and wife, Dhanya, and a cousin Edwin George had gone for a brief holiday to Nelliyampathy. One early morning, they decided to visit a forest. “So we hired a jeep,” says Betty. “But the local people warned us that there was a rogue elephant somewhere in the vicinity. We did not see it. We went to the top of a hill, but when we were returning, the elephant stood on the road staring at us.”

The road was narrow and there was a deep gorge on one side and rocks on the other side.

The driver stopped the jeep and told the group that they all had to flee. “So we ran back the way we came, shouting and screaming,” says Betty. “The elephant started chasing us, but it was rushing through the forest, instead of taking the road.”

The group, along with the driver, reached the top of the hill and waited with panting breaths. For a while, because of dense fog, they could not see the animal. But suddenly they saw it making its way to the top. So they again ran down the road and reached the jeep and got in. The driver pressed the accelerator, and they made good their escape. “We were exhausted,” says Betty. “But we thanked God for the narrow escape.”

But the incident left an impact on Betty.  “Whenever I see an elephant, nowadays, I begin shivering with fear,” she says.

Anyway, life is going on. Whenever Munna is at home, he is busy indulging in his passion of watching films and cricket. “He spends a lot of time in the gym and plays badminton in the evenings,” she says. “If there is no shooting, Munna will relax and put on weight. But once he has signed a film, he will immediately hit the gym and get fit.”

Not surprisingly, Munna has a svelte figure and strong muscles. “He has lifted many heroines, but, till now, he has never lifted me,” says Betty, and bursts out laughing.

Yes, Betty knows that many girls are attracted to him. And when they go out in public, Munna constantly introduces Betty as his wife, but that does not faze the girls. “They just come up and hug him tightly,” she says. “It seems to me that girls like married actors, more than unmarried ones.”

So, does Betty feel insecure? “Not at all,” she says. “I trust Munna completely. I know that he loves me. To have a good marriage, you have to be loving, caring and believe in each other.”     

(The New Indian Express, Kochi and Thiruvananthapuram) 

An island of tolerance and intermingling

On Mattancherry island, off Kochi, the Kutchi Muslims, Konkanis, Gujaratis, and the Jews, apart from locals, have lived next to each other for centuries 

Photo: The wedding of Shahran Sait and Zeba Abdul Kader

By Shevlin Sebastian

On the stage of the Town Hall, Kochi, the Imam leads prayers from the Koran. The bridegroom, Shahran Sait, is resplendent in a brown sherwani, with a red turban and a violet stole placed across his shoulders. Family members sit on the stage and observe closely. After fifteen minutes of prayers, Shahran signs the nikaah document and the marriage is over.

Then the girl, Zeba Abdul Kader, is brought to the stage. She is wearing a lehenga, her arms and hands covered in mehendi, apart from a gold necklace and earrings. Her face is covered by a dupatta. Then after a bit of teasing, where the groom's family has to shell out money, the bride's face is revealed.

Zeba then reaches out and takes Shahran's hand and places it over her right and left eye and to her lips, as an act of taking a blessing from the spouse. And thus a Kutchi Memon wedding was concluded with hugs and kisses all around.

The Kutchi Memons came to Mattancherry island, near Kochi, in 1815 because of a severe drought in Kutch, Gujarat. “They began their lives in Kerala as businessmen,” says Abdul Azeez, the former joint chief manager of the Bank of India. “Many of them exported dry prawns to countries like Burma. They would also bring back clothes, dates, and sugar.”

Often, the local people called them Saits or Sethu (owners). In 1875, the Memons constructed a Kutchi Hanafi mosque, which still exists. It is a traditional type house with wooden windows and a sloping red-tiled roof. In 1895, the Memons set up the Indian Chamber of Commerce and Industry as well as the Coronation Club. It was built in an area which was gifted by Rama Varma, the Maharaja of Cochin. The name was given in honour of the Coronation Durbar held in Delhi in 1911, to celebrate the ascension of King George V.

Today, there are 700 families comprising 3000 members, and they identify themselves as Hanafi Muslims. “We believe that there is one Allah and Prophet Mohammed is his messenger,” says A.S. Abdul Latheef, a managing committee member of the Kutchi Memon Jamaat.

The families are close-knit and loyal. At home, they stick to traditional foods. The most well-known dish is Muttiya. “These are dumplings set in meat and vegetable broth,” says homemaker Raziya Yacoob. “We also enjoy Gundh Ka Laddoo, which comprises gond (gum crystals), semolina, and dry fruits.”

Most of the Memons continue to be businessmen. “The Abad group is the biggest,” says businessman Gaffar Essa. “They run several hotels, are sea-food exporters, and into real estate.”

But there are a few who are poor. To help them, the Kutchi Memon Association has been formed. “It looks after the medical and educational needs of these people,” says Dr. Sadith Sait.

Fleeing persecution

On a hot sweltering day, educationist and author N. Purushothma Mallaya is sitting under a fan in his home at Kotuval Lane. The foremost proponent of the Konkani language, his desk is filled with papers, files and several books.

“The first batch of Konkanis came in 1294, when Allauddin Khilji had attacked Goa,” says Mallaya. “Later, during the Portuguese Inquisition in 1568 A.D., the Konkanis were given the option: convert to Christianity or leave.”

A few thousand Gowda Saraswat Brahmin families left the region. They were accompanied by the Kundumbis (who do field work), Vaniyars (traders), and Sonars (who do the goldsmith work).

The Konkanis went all over South India. A group arrived at Calicut, but the Zamorin King asked them to leave. “The Konkanis came to Cochin and met the Raja at the Mattancherry Palace,” says Mallaya. “Behind the palace, there was a filthy area called the Cherlai. The king donated the land and the Konkanis prospered and made it a commercial city. The Raja was happy.”

In 1627, through an inscription on a copper plate, the Raja gave them permission to build houses of brick and stone. “In those days, homes of that kind were allowed only for the native Brahmins,” says Mallaya. “He also gave us the right to do business in foreign countries.”

Later, the Konkanis constructed the Thirumala Devaswom temple, in which Sree Venkateshwara is the presiding deity. Eventually, the community built 16 temples.

Incidentally, Mallaya’s mother N.M. Saraswathibai was the first woman teacher in Kerala.

She taught Marathi at the Thirumala Devasom Balikadharmam Patshala in 1908. “People called her ‘Missy,’” says Mallaya. “I was the ‘son of missy. ’”

Today, there are 30,000 Konkanis in Mattancherry. Most of them are businessmen. “People said business is supposed to be done by the Vaishyas [traders], so why are Brahmins doing it?” says Mallaya. “But at that time who would give us jobs? And according to Manusmriti, Brahmins can do business when necessity arises.” So the Konkanis did trade in rice, ran hardware and provision stores, and were dealers in Ayurveda medicines. They also became prominent because of their papadam-making skills, as well as the jewellery business.

One of the most prominent jewellery shops is the Geeri Pai showroom in Kochi, which belongs to the Pai family. “My great-grandfather M. Madhav Pai landed up at Pallipuram from Goa during the Portuguese Inquisition and later moved to Mattancherry,” says Ramesh Pai, a member of the current generation. “Initially, Madhav Pai began dealing in Ayurveda medicines, before branching out into gems, stones, and gold jewellery. He used to supply jewellery to the Royal family at Tripunithara and other members of the elite.” Today, the thriving business is more than 100 years old.

The land of Gujjus

When you step into Gujarati Road, it seems that you are back in the state that Chief Minister Narendra Modi presides over. There is a large Gujarati school, which has more than 1200 students. Near it, there is a sweetmeat shop which sells jalebis and gulab jamun. There are wayside shops where the language spoken loudly is Gujarati. And in a ground-floor apartment lives Mulraj N. Ved, 83, the patriarch of his clan. “I was born and brought up here,” he says. “But we have retained our Gujarati customs and religious rituals.”

It is easy to do that because there are eight temples within a one-kilometre radius. “We celebrate Diwali, Holi, and Navaratri,” he says. “During the festivals, we also do the garba and the dandiya raas dances.”

Mulraj has been a businessman all his life. For more than 50 years he has dealt in stationery, agency work and the export of coir yarn. It helped that Mattancherry has an all-weather port, so trade could be done throughout the year. Now his three sons have followed in his wake. Interestingly, all of them have married girls from their caste, but two are from Mumbai, while one is from Vidarbha in Maharashtra. “My sons had arranged marriages,” says Mulraj. “But nowadays, inter-caste weddings also take place.”

As he talks, Mulraj's daughter-in-law, Rashmi Tushar, brings steaming cups of tea made in the Gujarati way: with masala powder, cloves, ginger, and cardamom. The community has retained their food habits. So they eat chappatis, puris, bajra, and lots of vegetables, as well as sweets. “But we also have Kerala-style idlis, masala dosas, and sambhar,” says Rashmi.

Today, there are 4000 Gujaratis in Mattancherry. “Nearly half are businessmen,” says Chetan Shah, the secretary of the Sri Cochin Gujarati Mahajan. “There are also people who work in banks, insurance, and in other jobs in the private sector.”

Like the Konkanis, the Gujaratis moved out their state when Mahmud Ghazni attacked the Somnath Temple in 1025 A.D. “We came to Mattancherry by country boats,” says Chetan. “First, we went to Calicut, Alleppey and then to Kochi and Mattancherry. The Kings of Cochin, Calicut, and Travancore accepted us because they were educated, cultured, and broad-minded.”

  

Going, going... gone

There are only nine Jews left in Mattancherry.  “We range in age from 40 to 90,” says Yael Hallegua, 40, the warden of the Pardesi Synagogue in Jew Town. “Our population has been declining for years, so I am not surprised that we are only so few now.”

The white-skinned Jews came to Mattancherry from Spain during the Spanish Inquisition of 1478, when the Jews were persecuted during the reign of Queen Isabella.

On Jew Street, the most prominent structure is the Pardesi synagogue. It is more than 450 years old and was built on land given by the Raja of Cochin. In fact, the synagogue and the Mattancherry palace share a wall.

Inside, there are glass chandeliers and a brass pulpit. The floor comprises Chinese-make porcelain tiles. There is also a carpet donated by Haile Selassie, the last king of Ethiopia. “We use it only during important functions,” says Yael.

On the street there are other houses where Jews live. One in which Queenie, the wife of the late warden of the synagogue, Sammy Hallegua, lives, is more than 100 years old. 

To run services in the synagogue, you need a minimum of ten male Jews, over 13 years of age. “So the Malabari Jews from Kochi, who number about 45, help to fill the quorum,” says Yael.

(The New Indian Express, South India and Delhi)

At home with Dracula

Director Vinayan shot scenes of his film on Dracula at the Bran Castle in Romania. He talks about his experiences 

Photo: (From left): Sudheer Nair, director Vinayan, and Priya Nambiar in front of the Dracula castle

By Shevlin Sebastian

On a cold April morning, the 6’ 2” Sudheer Nair is relaxing inside a Tempo Traveller at Bran town near the Castle of Dracula in Romania. He has two jutting-out teeth, shoulder-length brownish hair, a blood-spattered white shirt, a black cloak and thick leather boots. Suddenly, somebody peeped inside, and the word spread like wildfire – ‘Dracula is inside the van.’

Soon, all the shopkeepers, customers, and local people rushed to the van. “They wanted to get the blessings of Dracula,” says director Vinayan. “Everybody took photos with him.” They also showered him with donations. After six hours, Sudheer was richer by 1500 leu or Rs 24,000. Said one townsman: “Dracula is not a ghost, but our God. We earn our livelihood only because of the castle.”

Vinayan, with a crew of 16 people, had traveled all the way to Romania to shoot scenes from his latest film, Dracula, a 3D film which is being made in Malayalam, Tamil, and Telugu

In Romania , Vinayan hired 24 locals. “There were quite a few junior artistes,” says Vinayan. “While in Kerala we would pay Rs 300 a day, in Romania the daily wage was Rs 15,000 including a food allowance of Rs 2000.” To hire Thomas Fernandes, a 3D stereographer from Hollywood , Vinayan had to shell out Rs 15 lakh for ten days of work.

Meanwhile, when the crew entered the castle for the first time, they got a shock. A tall man, wearing a red cloak, and jutting-out incisors, jumped right in front of them, yelling and screaming. “For a moment I was stunned,” says Vinayan. “Then the people clapped.” The man, a guide, showed the various sections.

“The bedroom and dining hall are large and spacious,” says Vinayan. “But there are many dark and narrow corridors and staircases. The people were very happy that a film on Dracula was being made, because that meant more tourists from India would come to visit the palace.”

In Vinayan’s ‘Dracula’, the hero is a man called Roy Thomas. Although a Christian, he is interested in all religions. Roy goes to the Dracula Castle and becomes a missing person. His wife, played by Priya Nambiar, goes in search of him. “I don’t want to reveal too much of the plot,” says Vinayan. “But my Dracula is different from earlier versions, because there is a lot of Hindu mythology in it.”

The director chose to shoot it in 3D, because it is the trend of the future. “Within five years, I expect all films to be either 3D or even 5D,” says Vinayan. “Many people are skeptical, but when 35mm shifted to 70 mm, people said that it would not succeed. But now 35mm has become extinct.”

Fine, but why a film on Dracula, which is so far removed from his ethos as a Malayalam filmmaker? “When I was a teenager, I did read the novel by Bram Stoker and was fascinated,” says Vinayan. “There was a writer called Kottayam Pushpanath. In a Malayalam magazine he would write about Dracula. It would be serialised over several weeks. I would read at night and feel very scared. That memory remained. So when I wanted to do a film on 3D, which would have a good visual impact, I thought of Dracula.”

The Rs 10 crore film will release in October. 

(The New Indian Express, South India and Delhi)