Sunday, March 16, 2025

Bestselling author Anand Neelakantan tells the story of the Ramayana in its many versions


 

Captions: The book cover; author Anand Neelakantan; author Valmiki

One of India’s epic poems decoded
By Shevlin Sebastian
In the foreword of ‘Many Ramayanas, Many Lessons’, author Anand Neelakantan states the impact of the Ramayanas on South-East Asia has been the most profound. No other text has come close in the past 3000 years. And majorly in rural India, the Ramayana remains ‘a holy book for spiritual practice, a guide for value education, as well as an ever-popular source of entertainment.’
Anand also offers a disclaimer. He said this was not a research book, ‘but a mere collection of thoughts, tales and lores of a humble writer.’
One conclusion Anand said the reader might come to after reading the epic was that life is a mixture of chance and karma.
The book begins with how the thief Ratnakara meets Sage Narada and plans to rob his veena. Saga Narada gets into a conversation with Ratnakara and asks him whether what he is doing is right.
Thereafter, they meet the family of Ratnakara, who say they don’t support his way of earning a living. A shocked Ratnakara goes into a meditative silence, murmuring Rama Rama, as instructed by Sage Narada, by the banks of the River Tamasa, the river of darkness.
Years later, he is changed and becomes a saint. Sage Narada named him Valmiki and asked him to spread the knowledge he had gained.
When asked how, Saga Narada said, ‘Write about Rama.’ And then he vanishes.
And Valmiki is tormented by what and how he should write.
One day inside the forest, he sees two birds making love. But in the moment of ecstasy, the hunter kills the male bird with an arrow. Valmiki felt anguish. And the first lines of the epic poem bursts out of him:
‘Maa nishada pratisthana tvamagamahsavati samaa yat kraunchamithaunamdekam vadhi kamamohitam’ (Don’t brute! You will never have peace, for you have killed one of the two birds while they were in the act of love).
Anand said that there were three major versions of the Valmiki Ramayana. There is one which is popular in South India, another in East India, while the third is the North-Western version.
After each story, Anand offers insightful commentary on the tale’s meanings, quoting the Ramayana’s sages and saints.
Here is the opinion on love put forth by Rishyasringa, a hermit living in a jungle in the Himalayas. ‘Love is the greatest spirituality,’ he said. ‘In fact, spirituality is nothing but finding love. One can love another person, or the whole world or God. One of the four great aims of life, according to the Hindu scriptures, is kama, or passion. Without passion, there is no salvation.’
Once Sage Vishwamitra asked King Dasaratha if Rama could come to his forest hermitage and protect it from Rakshasas. Dasaratha said no. He added that Rama was too young.
Vishwamitra said, ‘Dasaratha, once the children grow up, parents must set them free. They have to chart their own destiny.’
Added Anand: ‘Dasaratha’s behaviour is thus typical of most fathers. The only thing that has changed from the times of the Ramayana is that open discrimination against girls has somewhat reduced.’
There are profound truths sprinkled in many parts of the narrative.
Here is King Janaka of Mithila telling a yogi who visited his kingdom: ‘Who isn’t going to die? Life is a game from which no one comes out alive, yet we all live as if we will live for eternity. The difference between you and me is that I know this truth. I can die at any moment. There is no guarantee of the future, yet I act by living completely in the moment. I do not worry about my past; I don’t think about the future. I choose to live and act in the moment without worrying about the consequences…. I want you to reflect on the fact that why the next day, one can die at the next moment. Yet a wise man will live the moment. The only truth is now. The past is fiction, the future a dream. The truth is now.’
In January 2025, Oprah Winfrey selected the book, ‘The Power of Now’, the multi-million copy bestseller by German spiritual teacher Eckhart Tolle, on the 20th anniversary of its publication, for her book club. This was the second time she did so because the book had changed her life.
‘The Power of Now’ says the same thing King Janaka has said. This proves the most profound wisdom is found in the Ramayana. It provides answers to all the moral dilemmas we face.
Once somebody asked Mahatma Gandhi, ‘Who is your Rama? What proof do you have that Rama lived and ruled over Ayodhya?’
Gandhi replied, ‘Rama is the name of the light inside my consciousness. It is what is lighting my mind. It can be called Allah, it can be called Jesus, it can be called Shunya, it can be called anything. Names don’t matter.’
Expectedly, Anand tackles the concept of Maya (illusion). He writes, ‘What you are seeing as stars may not exist at all because they are many light years away and the light reaching you now started millions of years ago. The star may have died, but you see it, so for you, it exists. Is that not an illusion, maya? You see what does not exist, what has already died.’
As a surprise, the folk version of the Ramayana deals with transgenders, too.
When Rama was about to go into exile with Sita and Lakshmana, he turned to the people waiting on the banks of the Sarayu River and said, ‘Men and women of Ayodhya, please go back. I will return after 14 years.’
When Rama returns, he sees the transgenders living on the bank, outside the city. When he asked them why, they said, ‘You said, “men and women”, but you, whom we consider our God, failed to mention us. We are perhaps the unfortunate people whom even God forgets.’
An apologetic Rama said, ‘You will always have a special place in my heart and society. Your blessing will be equal to my blessing.’
That is how transgenders come to bless a newborn child or, on other important occasions. There is a widespread belief that the blessing of transgenders is the blessing of Ram himself.
As Anand writes, ‘This is how folk tradition has woven marginalised people into the social fabric, compelling those who would otherwise have shunned them to show them respect.’
The tale of the Ramayana continues with its well-known twists and turns, like Ravana’s abduction of Sita, the bird Jatayu attacking Ravana to save Sita, and the story of Hanuman’s trip to Lanka. Then Lord Rama comes to Lanka, kills Ravana and rescues Sita.
Best-selling author Anand’s writing is simple, straight-forward and accessible. This is a book that reminds us of universal truths that have been there since the dawn of civilisation.
(A shorter version was published in The Sunday Magazine, The New Indian Express, South India and New Delhi)

Sunday, March 09, 2025

Where the old is still gold




 

Sujit G Ponoth has a vinyl record space in his home at Kochi. He has a collection of over 6000 records
By Shevlin Sebastian
One day, a 21-year-old boy named Rahul Nair (name changed) came to JD’s Jukebox record store in Kochi. “This is the first time I am seeing physical records,” Rahul told the owner, Sujit G Ponoth. “I don’t have a record player.”
Rahul wandered around the store and looked at all the different styles of music. Then he reached the rap section. Sujit, 47, observed that Rahul’s eyes lit up. Then Rahul picked up Eminem’s record, ‘Recovery’, released in 2010.
Sujit saw from a distance that Rahul did not know how to look at an album. He was attempting to pull out the album from the sleeve, while also trying to check out the artwork. He came and sat in an armchair. Rahul closed his eyes. Then he hugged the album to his chest.
Sujit went into another room. After a while, he heard a loud noise. When Sujit came out, he saw Rahul crying his lungs out while still holding the album. Tears were flowing non-stop. His cheeks and face had turned red. Initially, Sujit thought maybe Rahul had got a call stating that somebody had died.
“What happened?” Sujit said.
“I am fine, I am fine,” Rahul said. Then the youngster went to the washroom. When he came out, he held Sujit’s hand and said, “In my life, I have only seen Eminem on the phone. This is the first time I have seen something physically connected to Eminem. I want to hug him.”
Rahul said bye to Sujit and vanished. He never came to the store again.
Sujit explains what he understood to a visitor. “Rahul had an emotional and tangible connection to the record, which he had never experienced online,” he said. “The physical artwork, the pictures, the lyrics. He could touch it. And he became emotionally overwhelmed.”
Sujit has over 6000 vinyl records. They are mainly at a speed of 33.5 revolutions per minute (rpm), while there are a few at 45 rpm.
The collection includes the Who’s Who of music in the past 50 years. Names like Elton John, Carpenters, Abba, Boney M, Paul Anka, Elvis Presley, Queen, Police, Engelbert Humperdinck, Pink Floyd, Rod Stewart and many others. He also has an extensive Hindi and Tamil section.
And he has many styles like jazz, rock, punk, rap, new wave, pop, fusion and electronic.
The prices range from Rs 800 to Rs 8000 per record. George Michael’s ‘Faith’ picture disc (1988) sells for the maximum price. Internationally, this record sells from $200 onwards. A picture disc shows a printed image on the playing record instead of the black vinyl colour.
Asked about the high prices, Sujit said, “It’s a question of supply and demand. Companies make these types of records but at higher prices.”
He has rare Hindi records like ‘Ghar’ (1978) and ‘Arth’ (1982), which was directed by Mahesh Bhatt with music by Jagjit and Chitra Singh.
“I have Hindi records from the 1940s onwards,” said Sujit.
The customers range from all walks of life. From a 15-year-old to an 80-plus music lover.
The senior music buff was only interested in Hindi film music from the 1940s to the 60s. He is a fan of KL Saigal, Ravindra Jain, Mukesh, Manna Dey, and SD Burman.
Some don’t have record players at their home, but they buy a record as a souvenir. There are foreign tourists and ardent collectors who drop in.
The records that sell the most are by the local Kerala band ‘Avial’ (Active: 2003 to present). Surprisingly, it is not Malayalis who are buying the records, but outsiders.
“‘Avial’ was one of the first regional rock bands that came out with an album in Malayalam,” said Sujit. At present, all of Sujit’s AR Rahman records have sold out.
Asked to explain the difference between analogue and digital music, Sujit said, “Analogue music is natural. It will sound the way you and I are talking now. The sound frequencies are analogue. Childbirth, a baby crying, the noises made by birds and animals, people talking. As soon as we record these sounds, they become digital. But by recording it, the music loses its frequencies. It will not sound natural.”
People like analogue music because it is as close to listening to the music live. “So when a band is playing, we listen to analogue music,” said Sujit. “We might hear bird sounds while we are listening. But the moment you record it becomes digital music. The recording process eliminates all extraneous sounds. Digital music is artificially doctored to sound perfect.”
Sujit said that he amassed his collection during the past 12 years. He has spent lakhs of rupees to do so. And even though he wanted to insure the collection, insurance companies did not know how to put a value on the collection.
“The retail price on an album, if it was released in the 1960s, can be as low as Rs 9,” said Sujit.
He bought the records by travelling to countries like Sri Lanka, the UK, the USA, Cambodia, Thailand, Malaysia, the United Arab Emirates and cities like Kolkata, Delhi and Mumbai.
“Mumbai is the place from where I got the most records,” he said.
After listening to almost every record, he has graded it according to the level of clarity. It goes from ‘Mint — As Good as New’ to ‘Poor — Best Avoidable’. Other categories include ‘Near Mint’, ‘Very Good’, ‘Good Plus’, ‘Good’, and ‘Fair’.
Regarding maintenance, Sujit said the best way to start is to use paraben-free soap and distilled water. “Both have the least amount of impurities,” he said.
You spray on the record. Then you wipe it dry. Nowadays, you can put it in a wet/dry vacuum machine. Each side takes about two minutes.
Asked if there is a future for analogue music, Sujit said, “It will remain a niche till the end of time, just like physical books.”
(An edited version was published in The Sunday Magazine, The New Indian Express, South India and Delhi)