(A review of veteran journalist Vir Sanghvi’s memoir, ‘A Rude Life’)
By Shevlin Sebastian
One afternoon, in 2007, Vir Sanghvi, the editorial
director of the Hindustan Times, strode into the Mumbai office. He had come
straight from the airport following a flight from Delhi. After conversing with
the resident editor, he came to the features section, pulled up a chair and
requested a sub-editor to open a word file. Then he dictated his column, which
would appear the next day. In his dictation, he would also say, ‘Comma’,
‘question mark’, ‘open quote’, ‘close quote’, ‘para’, and ‘full stop’.
Twenty minutes later, the column was finished.
Later in the evening, a sub-editor gave Vir the proof of the page where his
column had been placed. He made a few changes, using a gel pen, and it was
ready to go.
Those of us who watched the afternoon dictation could
only watch with envy, this effortless ability. I am not sure I can write
anything by dictation. I have to sit and hit the keys. And it takes time to
frame thoughts and move from one sentence to another. I cannot get so much
clarity in the first draft, as with Vir. I need to work on the copy.
Throughout his career, Vir has written lucid
articles. It gripped the reader, as it is mostly about well-known people.
So, no surprises, his just-released memoir, ‘A Rude
Life’, is an easy read. I read page after page without a pause. When I looked
up from the book, the 61st episode of Season 1 of the hit series,
‘Resurrection: Ertuğrul’, on Netflix, was on freeze-frame at the 21st minute.
But Vir could easily keep me away from the twists and turns of the 12th-century
fictional story set in Turkey.
Thanks to his father’s time in the Communist Party
of India, Vir met notable people from his childhood. The then Defence Minister
VK Krishna Menon, a friend of his father, Ramesh, often came to the Sanghvi
house for dinner whenever he was in Mumbai. It was Vir’s duty to lead Krishna
Menon from the car to the fourth-floor flat.
In November, 1961, Yuri Gagarin, the first
astronaut to go to space, came to Mumbai. Ramesh was invited to dinner with the
astronaut. Vir wanted to come along. Ramesh agreed. But Ramesh coached his son
that the name was Yuri and not Urine, which was how Vir called him.
Throughout his life and career, Vir knew all the
notable people so well he had lunch or dinner with them.
Vir became friends with the late Shiv Sena leader
Bal Thackeray at the beginning of the latter’s career. And when, after dinner,
Thackeray would come to the car to see Vir off, he would sign off by saying
‘Jai Maharashtra’. Vir countered it with ‘Jai Gujarat’. “He would laugh and
eventually we reached a compromise, ‘Jai Mumbai,’” wrote Vir.
What became clear soon enough is that all these
affluent and powerful personalities went through the same reactions as us
normal human beings. They had the same insecurities and inferiority complexes,
and ego battles. The only difference was that while our fights affected our
family and a few other people, in their tussles, they could affect the destiny
of a nation.
What was also clear from reading the book is how
having contacts is so important for a successful career, especially in a
country like India. Take Vir’s case. His best friend in school was Nikoo
Bhullar. Nikoo’s mother Mohini worked for Thomson Press. When the company
started ‘India Today’, Mohini asked Vir to write for the magazine. Later, the
‘India Today’ management, through a nudge by Mohini, appointed Vir as the
editor of ‘Bombay’ magazine. He was only 22 years old. Later, his father’s
friend, RV Pandit, who owned ‘Imprint’ magazine, appointed Vir as editor.
Vir may be one of the few journalists who could
cold-call Aveek Sarkar, the owner of the Ananda Bazar Group, asking for a job.
The result: he became the editor of ‘Sunday’ magazine at 30. Later, he became
editorial director of the Hindustan Times and did many TV shows on various channels
and published books too.
Everybody used contacts. Vir recalled that when
‘India Today’ wanted to do a cover story on the famed director Raj Kapoor, who
was making the sensual, ‘Satyam Shivam Sundaram’ and remained inaccessible, Vir
turned to ‘India Today’ editor Aroon Purie for help. Aroon asked his father, V
V Purie, who had financed many of Kapoor’s films to secure the interview. End
result: Raj Kapoor spoke to Vir.
Vir’s education was also elitist. He studied at the
Mayo College in Ajmer, Mill Hill School, London, and later, at Oxford
University.
However, his turning point was a tragedy. When Vir
was 15, his father, Ramesh, whom he idolised, died of lung cancer at New York
University Medical Centre. On his deathbed, Ramesh told his son, “You are my link
with the future. There is enough money. Look after your mother. You will do
much better than I could ever do.” It was at that moment Vir realised he could
not depend on anybody but himself.
The book is awash with unforgettable anecdotes
about the who’s who of Indian society. They include politicians like Sharad
Pawar, industrialist KK Birla, actor Dilip Kumar, author Dom Moraes, and
director Satyajit Ray. You can plonk down the money to buy the book and remain
satisfied.
The book has a striking cover, although it puzzled
me about why the designer shifted Vir’s head so much towards the spine that an
ear has been cut off. There was enough space on the right to get the full
image.
Ah, well, everybody is entitled to his or her creativity.