A
range of works are on display at the 'Oradimannu' (One Foot)
exhibition at the Bindhi art gallery. 58 artists are taking part
Photos: Deepa Gopal Sunil (left) and Bindhi Rajagopal; Onyx Paulose's work
By
Shevlin Sebastian
On
most mornings, when artist Deepa Gopal Sunil would read the newspaper
or watch the news on TV, she would come across instances of children
being sexually abused. “It disturbed me a lot,” she says. So,
when curator Bindhi Rajagopal invited her to participate in an
exhibition, which is taking place at the latter's art gallery, she
decided to focus on this theme.
In
her acrylic work, done in shades of grey and black there is a teenage
girl holding a teddy bear, in a pastel shade, and sticking her tongue
out. “There are so many crimes against children,” says Deepa. “It
marks a loss of their innocence and childhood. The teddy bear is to
indicate that children are the playthings of depraved adults. And the
girl has stuck her tongue out to show the death of her dreams.”
Artist
Sara Hussain has focused on the physical, rather than moral decay.
After having worked in a studio at Jew Town for the past 14 years,
Sara has focused on the broken-down houses that she sees all around
her. Her work is about one such house, etched in a yellowing colour
to indicate that it is a night scene. Instead of a brush, she has
used a pallet knife. The roof is a mix of grey and brown. “Many
such houses can also be seen in other cities, like Mumbai,” she
says.
As
for artist Sajith Puthukkalavattom, he had an unusual experience
while attending an art camp near Bengaluru. During lunchtime, several
monkeys would come charging up to get at the food of the artists.
“They lived in the nearby trees, which had all dried up,” says
Sajith. “Today is a time when we are losing so much of forest land,
thanks to commercial exploitation.” So, he has done a watercolour
on rice paper that shows a tree trunk on wheels, which is going to be
used in the cities. A monkey sits on top of it, looking at the viewer
with a sad face. “I wanted the viewer to feel a prick of conscience
about what we are doing to the planet,” says Sajith.
Meanwhile,
PG Dinesh has dwelt on a simpler subject. He has drawn an image of a
small boy, wearing goggles which have only one lens. Dinesh got the
inspiration to do this portrait from his six-year-old nephew Manav.
“He would break the toys and use it in a different way,” says
Dinesh. “I remember once I gave a photo of Manav to him. What he
did was to place it on the floor, and drive his toy car over it.
There were scratches and sand on it. I used this photo as a
reference.”
As
for Onyx Paulose's work it can make you step back. It is a face with
a large tongue sticking out. On it rests a black lizard. The face has
been split into two halves and both are looking at each other. The
14' work is made of wood and fibreglass. “There are many people who
talk too much,” says Paulose. “I wanted to portray them. As for
the lizard, there is a belief that when we say something, and if the
reptile makes a noise, it means that whatever we have said will
happen. However, usually, nothing happens.”
A
total of 58 artists are participating. They include Sunil
Vallarpadam, Babu KG, Benoy Janardhanan, Kaladharan T, O Sunder,
Shajee Chelad and Sunil Lal TR.
“Most
of them are either state or national award winners,” says curator
Bindhi. Regarding the theme of 'Oradimannu' (One Foot), Bindhi says,
“The sun has a path, and the moon has a path. Like all living
beings, we human beings also have a path. When we stand at one place,
the place belongs to you. But the moment you move, that space is no
longer yours.”
To
illustrate the concept, Bindhi has done a drawing on a brass sheet
showing the soles of two feet. It belongs to a student of Bindhi's,
who is a teacher in an architecture school. “He is a cancer
survivor,” says Bindhi. “So he is a hero in my eyes.”
(Sunday
Magazine, The New Indian Express, South India and Delhi)
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