The crew
of 'Sallapam' (1996) were waiting patiently in the noonday sun, at a
distance from the Shoranur railway station. Soon, they could see the
train to Chennai pick up speed. Manju Warrier was playing Radha, a
woman who wanted to commit suicide because her lover had rejected
her. As Radha's cousin, actor Manoj K. Jayan was supposed to save
her.
“As the
train came close, at a speed of 100 kms per hour, Manju was so
involved with being Radha that she threw herself with full force
towards the track,” says Manoj. “An actor should always be in
control whenever he or she does a role. But it seemed to me as if
she had lost control. There was one terrifying moment when I felt
that she would slip out of my hands.”
But he
held on, the train whizzed past, and the four-minute sequence was
shot perfectly. As soon as the shoot was complete, everybody
clapped, except for Manju who burst into tears, because she was
still in character. “That is Manju for you,” says Manoj. “Even,
during this first film, as a heroine, she displayed the talent and
poise of somebody who has acted in more than a hundred films. There
is no doubt that she is one of our greatest actresses.”
Music
composer Berny says that Manju is also a good singer. A few years
ago, he, along with his elder brother, Ignatius, were making an
album of festival songs by celebrities like Mammooty, Mohanlal and
Manju.
“She learnt the song quickly and sang it like any
professional singer,” says Berny. “Manju has a natural gift for
singing. In fact, she has a wide-ranging talent: she can act, sing
and dance also.”
Artist
Radha Gomaty has another explanation. “Manju has a tremendous
charisma,” says Radha. “She is beautiful in an unusual kind of
way. It is not about glamour, but a certain grace combined with
strength and an extraordinary flexibility.”
Collins
Leophils, a designer, most notably of film posters, remembers seeing
Manju at a photo shoot for the film ‘Mayamohini’, in which her
husband Dileep played the hero. “The family had come to the
studio,” says Collins. “Manju was wearing a saree and looked
striking.”
Another
reason for her impact was because she gave so much to her characters.
“Even
in a light-hearted film like 'Summer in Bethlehem', she brought
an edge to her role as a tomboy who hides a sensitive heart,” says
Radha. “In 'Aaraam Thampuram' she plays an insecure, temperamental
but lovable rural woman. In 'Kannezhuthi Pottum Thotte', as the fiery
Bhadra, she literally sets the screen aflame. Who else can
carry it all off so well but Manju?”
One
who agrees is director B. Unnikrishnan. “Manju has acted in a way
that was never seen before in Malayalam cinema,” he says. “She
was such a young girl, and yet she was able to show so much of
feminine power. She is the female
equivalent of Mohan Lal.”
The
good news is the persistent rumour that Manju will be making a
comeback. However, the worry is that, after a gap of 14 years, her
talent might have become rusted. “Can a talent ever get rusted?”
says Unnikrishnan, with a smile. “Art is a mystery and magic.”
A
practical Manoj says, “There are a lot of people who admire Manju,
so I am sure if she comes back now, she will be able to make an
impact. Having said that, the industry, today, is at a different
level, but she has the talent to be at the top.”
Radha is
also sure Manju will do well. “Till
now, there has been no script based on women characters in their
mid-thirties and forties as raw and powerful as KG George's
‘Adaminte Vaariyelle,’” she says. “But now with new
directors who are able to think out of the box, Manju's talent
stands a chance to be utilised to the fullest.”
Jazeer
Mohammed, an advertising film-maker, knows of many directors and
producers who are waiting for Manju to restart her career. “She
will get a lot of opportunities,” says Jazeer. “I don't think
there is a problem that she has been away for so long.” Radha feels
that she might take one or two films to get her groove back. “I am
sure, one day, Manju will be back at her best,” she says.
(The New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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