Says
Japanese curator Yuko Hasegawa. She talks about her experiences
while on a recent visit to Kochi
By
Shevlin Sebastian
Photo of Yuko Hasegawa by Ratheesh Sundaram; the Museum of Contemporary Art in Tokyo
Yuko
Hasegawa has spent a lot of time travelling all over the world seeing
art. So, she is well placed to distinguish between Western and
Eastern art. “In the West, the human being is regarded as
omnipotent,” says Yuko. “In the East, the individual has an
organic relationship with the world around him. In Asia, when we look
at a tree, we also see its spirit. We have that same attitude towards
a brick, also. We think it is alive. The East believes in
co-existence with nature. This wisdom is much-needed in the 21st
century.”
On
a recent trip to Kochi, Yuko laughed when asked to describe the
character of artistes. “Some are well-organised and excellent
businessmen,” she says. “Some are thinkers, while others are good
craftsmen. Many are good communicators. Sometimes, they are like wild
animals. They might grab your throat when they are angry. At other
times, they are like children. But all of them are interesting,
because they are creative and tread a new path every day. They are
explorers. And I try to shepherd their work and bring it to the
public eye.”
Yuko
is the Chief Curator of the Museum of Contemporary Art in Tokyo. She
provides the artistic direction by fixing the programme for the year
regarding exhibitions and educational programmes. “To make the
museum more interesting to patrons, apart from art, we also showcase
architecture, design and animation,” says Yuko. This has worked out
well in terms of footfalls. Last year, the museum got more than 5
lakh visitors.
Despite
her busy schedule, Yuko also travels a lot to buy art because the
museum has an annual acquisition budget of $600,000.
So
far, she has had a stellar career. Yuko has been curator of the 2001
Istanbul Biennial, the co-curator of the 2002 Shanghai Biennale, the
Mediacity Seoul in 2006 and the 2010 São Paulo Biennale. She was
also artistic adviser to the 2010 Venice Architecture Biennale.
Yuko
also serves as a board member of the International Committee for
Museums and Collections of Modern Art, as well as a member of the
jury for the Hugo Boss Prize, 2002, and a commissioner of Japanese
Pavilion of the 50th Venice Biennale, 2003.
In
2013, she was the guest curator for the Sharjah Biennale. “I
travelled a lot in Latin America, Asia, South Africa and the Middle
East in search of interesting art,” says Yuko. “To get good
works, you should have endless curiosity.”
However,
the Biennale authorities placed two restrictions on Yuko while
selecting the works. There should be no nudity or representations of
the Prophet Muhammed. “It is important that we give respect to
local cultures,” says Yuko.
And
she was happy to see the second edition of the Kochi Muziris
Biennale. “What
was amazing was that a group of artistes [Bose Krishnamachari, Riyas
Komu, Jitish Kallat and others] organised this Biennale and not the
government,” says Yuko. “So the motivations are completely
different. It is creative, flexible and fresh. I liked most of the
works.” Her favourite artistes included Sahej Rahal, Susanta
Mondal, Parvathy Nayar, and Gigi Scaria.
And
Yuko is sure that the Biennale will have a long-term impact. “I
have already seen the local people talking about the art works,”
she says. “The Biennale brings new awareness and curiosity. The
people will start thinking about art.”
Asked
whether the Kochi Biennale has been established in the international
art community, Yuko says, “It is a new biennale. So, it will take
time to get attention. And there has to be more editions. The
Istanbul Biennale is in its seventh edition. And it is established
now. It will take a few more years before the Kochi Biennale is
established.”
Finally,
when asked about new trends, Yuko says, “Many artists are making
images using 3D printing. They also use inkjet prints that make
images look like a new painting.”
(The
New Indian Express, Kochi and Thiruvananthapuram)
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