Says
music critic, Shaji Chennai, who has just published his first book in
Malayalam called 'Paattalla Sangeetham' (Music is not a song)
By
Shevlin Sebastian
Photo of Shaji Chennai by K. Rajesh Kumar; Salil Chowdhury
The
late Mollywood film director Ramu Kariat was much taken up by the
music in the classic Hindi film, 'Madhumati'. When he enquired about
the music director he was told that it was a Bengali called Salil
Chowdhury.
When
Ramu heard that Salil was in Chennai doing re-recording work for a
Hindi film, he went there and met Salil. He requested Salil to
compose the music for his film, 'Chemmeen' (1965). Salil had no idea
about Malayalam films, but agreed to work for Ramu.
And
today, the songs that Salil did for 'Chemmeen' have become immortal.
They include 'Maanasa Maine Varu' and 'Kadalinakkare'. “But the
music is based on the folk music traditions of Bengal, Assam and
Nepal,” says music critic Shaji Chennai. “Very few people know
that. In fact, people outside Kerala say that 'Kadalinakkara' is a
fisherman's folk song of Kerala.”
And
it is hugely popular. “If you ask any Tamilian which is the one
Malayali song they like the most, they will mention this song,”
says Shaji. “They may not have seen the film, but they love the
song. That is the genius of Salil Chowdhury.”
Like
Salil, Shaji is also immersed in the world of popular music. He is a
trilingual writer (English, Tamil and Malayalam) of popular music in
newspapers and magazines in Tamil Nadu and Kerala. So far, he has
published five books on music in Tamil. And recently, the
Chennai-based writer had come to Kochi for the release, by eminent
director KG George, of his first book in Malayalam, called 'Paattalla
Sangeetham' (Music is Not a Song) (Green Books).
“Most
of us believe that music means songs,” says Shaji. “But a song,
especially the vocals, is a tiny part. Music is a language by itself.
That is why we still enjoy the works of Beethoven, Chopin and Mozart
which were composed centuries ago.”
Music,
worldwide, is more about instrumentals than vocals. “All the
Western classical compositions are instrumentals,” says Shaji. “In
Hindustani and Carnatic music, also, the lyrics consists of a few
lines. These are repeated again and again.”
Even
in a film song, there are so many instrumental portions: the
percussion, chords, backing arrangements and lead instrumentals. “But
most people don't pay attention to this,” says Shaji. “Instead,
they only listen to the lyrics. In a way, many are uninformed when it
comes to music.”
Incidentally,
Shaji's book is divided into two sections. In the first one, on
Indian musicians, he has written about PB Srinivas, Madan Mohan, T M
Sounderarajan, Manna Dey, MS Viswanathan, Dakshinamoorthi, Hariharan,
Johnson, Mehdi Hasan, Kannur Rajan, and the unsung Philip Francis.
“Philip was a ghazal singer and an accomplished tabla ustad of
Kerala,” he says. “Unfortunately, he passed away at the age of
43, in 2008, in a bike accident.”
According
to Shaji, the late Kannur Rajan is one of the greatest Malayalam composers he
has come across. “Unfortunately, he is not even regarded in the top
five,” says Shaji. “But Rajan had the ability to explore the
intricacies of Hindustani music. Since most of his songs were featured in films which had a brief run in the theatres, very few
people have heard the songs.
There are so many factors which have to
come into play for a song to become popular.”
Asked
to identify a common character trait among all composers, Shaji says,
“Most of them are sad. There is a Persian saying that says that all
great music is melancholy. The fastest dance song that you hear, from
a good composer, at the core, there will be a feeling of melancholia.
That's because all musicians are on an unknown quest to know the
meaning of art and life.”
In
the second section of the book, Shaji has concentrated on English
music stars like Michael Jackson, Engelbert Humperdinck, the
Hungarian pianist and composer Rezső Seress, and Boney M. “I wrote
about the impact of Boney M's music on Malayalis as well as Indians,”
says Shaji. “I also pointed out that the group which came to India
were not the ones who sang the original songs.”
Asked
about the current trends in music, Shaji says, “Because of the
invasion of computer music, it has become kid's play. Anybody can
make a song. Owing to the ease of composition, there is not much of
creativity. That is why there are no legendary composers these days.”
(The
New Indian Express, Kochi and Thiruvananthapuram)
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