COLUMN:
LOCATION DIARY
Prem
Prakash talks about his experiences as a producer in the films,
'Koodevide', 'Akasha Dootu' and Peruvazhiyambalam'
Photos: Prem Prakash with his wife Daisy. Photo by Rajeev Prasad. Film psoter of 'Koodevide'
By
Shevlin Sebastian
At
7.30 p.m. on a day in August, 1983, the day's shooting for the film,
'Koodevide', concluded in the mountainside town of Doddabetta in
Ooty.
A
little while later, actors Mammooty and Maniyanpilla Raju were
returning in a jeep. There were a few other crew members sitting at
the back. They were being followed by another jeep which consisted of
producer Prem Prakash, actor Suhasini, director P. Padmarajan and
camera person Shaji N Karun.
“Since
Mammooty drives very fast, he went ahead quickly,” says Prem. “It
was also a foggy night. But after a while, we saw a shocking sight.
The jeep, which Mammooty had been driving, had overturned.”
Maniyanpilla
Raju was lying on the ground. Apparently, a lorry was coming from the
other side, and Mammooty braked suddenly, at high speed. As a result,
Maniyanpilla Raju slipped and fell to the ground.
They
rushed him to the Ooty General hospital. Water was splashed on his
face, but he continue to remain still. “We felt that Maniyanpilla
had died,” says Prem. “Because he remained without responding in
any way.”
Meanwhile,
Mammooty was walking up and down the corridor and said, “What do we
do?” Says Prem: “I have never seen Mammooty so scared and
worried.”
After
a long time, Maniyanpilla Raju opened his eyes and said, “Where am
I?” That was when the crew suspected that he had a brain injury.
“However, in the end, it turned out okay,” says Prem. “But for
some time we thought the worst had happened. And Mammooty was so
worried that he would have been the cause of his death.”
There
were no such tensions in the making of the film 'Akasha Dootu'
(1993). However, when the melodrama, directed by Sibi Malayil, was
released, Prem heard that that there was a lot of crying in the hall.
It is the story of a widow, who is dying of leukamia, who gives away
her four children for adoption.
“So,
as a producer, I decided that when a patron bought a ticket, he would
also get a handkerchief,” says Prem.
Anyway,
to watch the effect of the film, Sibi and Prem went to a theatre in
Nooranad, in Alleppey district. They stood at the back of the balcony.
In one of the seats sat Jacob Thomas, 34, his wife Maria, 27, and a
six-year-old boy, Rony (names changed).
Very
soon into the melodramatic film, Maria started crying. Jacob said,
“Why are you embarrassing me by crying? This is only a film, not
real life.” But Maria continued to weep when other sad scenes came
up. And Jacob continued to scold her.
“However,
when the last scene came up, and the youngest boy, who is physically
challenged, is finally adopted, Jacob burst out crying,” says Prem.
“Now Maria said, 'What is happening? Why are you crying like this?
And all along, you told me not to cry'.”
Prem
and Sibi burst out laughing, at this point. “That was an experience
I will never forget,” says Prem.
Another
experience which Prem will not forget was at Balaramapuram, in
Thiruvananthapuiram district where the shooting was going on for P.
Padmarajan's debut film, 'Peruvazhiyambalam'. The year was 1979. At 2
a.m., Ashokan, who plays a fifteen-year-old by the name of Raman,
kills the town's bully Prabhakaran Pillai (Azeez) because the latter
raped Raman's sister. And then he runs away.
“It
is but natural in a film that the townspeople chase him,” says
Prem. “But at 2 a.m., there were no people around. And so it
happened that to form part of the crowd, for the first time in
Mollywood, Padmrajan and myself, director and producer, ran to be
part of the crowd. It gives you an indication of Padmarajan's
commitment.”
(The
New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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