COLUMN:
LOCATION DIARY
Director
Basil Joseph talks about his experiences in the upcoming film,
'Godha' as well as 'Kunjiramayanam'
Photos: Basil Joseph. Photo by Melton Antony. A fan taking a selfie with Dipil Dev in Mohali
By
Shevlin Sebastian
In
December, 2016, the cast and crew of the upcoming Mollywood film,
'Godha', was shooting at Mohali in Punjab. “The people there were
not used to seeing a film shoot,” says director Basil Joseph.
“Whenever we placed a camera on the road, a large crowd would
gather around us.”
In
the film, there is a scene where a police officer (played by
Bollywood actor Vineet Sharma), is supposed to move away from a riot
situation, and make a call while standing in front of a Gypsy car.
Basil
was pondering over how to shoot the scene, without a crowd gathering
around. That was when he got an idea. He narrated it to the crew.
Soon,
cameraman Bijith Dharmadam, Associate Directors Dipil Dev and Jithin
Lal, along with Associate Cameraman Sharath Shaji stood some distance
away from the Gypsy. Then Jithin picked up a small camera and said,
“Action.” Dipil and the others started fighting.
As
expected a crowd gathered around. There were a lot of shouting and
yelling. “In the meantime, we placed a camera inside a shop and
surreptitiously shot the scene of the police officer speaking on the
phone, while the riot was occurring behind him,” says Basil.
So,
thanks to a fake shoot, Basil could do his work in peace.
Meanwhile,
the crowd mobbed Dipil thinking that he was the hero. Several took
selfies. Children ran after him. Basil heard the people say, “South
Indian Superstar.”
The
crew had a huge laugh later on.
Basil
also had fun during the shoot of his debut film, 'Kunjiramayanam'. On
the first day, in April, 2015, the crew gathered around at
Udumalaipettai, near Pollachi. “All the technicians, including
myself, were in the age group of 24-25,” says Basil. “Most of us
wore T-shirts and Bermuda shorts.”
Senior
actor Dinesh Panicker stepped outside the hotel. He looked at the
crowd, and said loudly, “Are these schoolchildren? Has the school
bell rung?”
Another
senior artiste, Seema G Nair, looked puzzled. She asked, “Who is
the director? And the cameraman?” Basil quickly introduced himself
and the others.
Meanwhile,
the shoot of 'Godha' shifted from Mohali to Palani. It was a single
shot of 3 ½ minutes length. “This was the title sequence,” says
Basil. “It was a recreation of a wrestling scene from 1990. To
convey that it is the past, I wanted it to be like a tableau, with
the 600 extras standing without making any movement.”
The
plan was like this: On a crane, cameraman Vishnu Sharma would be
dangling from a height of 60 feet. Then he would come down to the
ground and in a smooth movement run towards the road, where there is
a jib (a boom device with a camera at one end). Then Vishnu would
mount the camera on the jib and move towards the godha (wrestling
pit), all the while moving among the extras. “We started rehearsals
in the afternoon,” says Basil. “It took us a long time to make
the Tamilians understand what we needed.”
The
whole night went past, but the crew could not get the right shot. By
dawn, the extras felt frustrated. Despite the crew's pleas, they
began moving away. In desperation, the crew tried their last shot at
6 a.m. “There was a blue sky just before dawn,” says Basil. “It
looked good in the frame. And it was with this last shot that we
managed to get it right, in the nick of time.”
(The
New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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