Belgian
artist Nico Vaerewijck is displaying his works at the Anubhuti Art
Gallery in Jew Town
Photos: Nico Vaerewijck with Anubhuti gallery owner Helga Peeters; Nico in front of the painting of the carpet
Shevlin
Sebastian
When
Anubhuti art gallery owner Helga Peeters of Belgium invited
compatriot Nico Vaerewijck to showcase his work at Jew Town, the
latter was zapped. “I could not believe it,” says Nico. “An
exhibition in India is not something that I ever imagined. I have
been showing mostly in Germany, France and Belgium.”
And
when Helga spoke about the Kochi Muziris Biennale, Nico was even more
puzzled. He had never heard about it. So he immediately googled the
art festival and checked out some images from the 2014 edition. He
liked what he saw. What was heartening for Nico was the fact that
fellow Belgian artist Hans Op de Beeck had taken part.
When
Nico eventually visited the Biennale, recently, he was much
impressed. “It's very professional and similar to the Biennale
Interieur in Belgium,” he says. “But the Kochi Biennale is
larger. The quality of the art works is so good. We don't see a lot
of Indian and Pakistani artists in Europe, so it was an eye-opener to
see their works.”
Nico
also had a revelation at the Biennale. “I realised that art is
universal,” he says. “At Kochi, I saw the European style, but it
was done by an Indian artist, in an unique way.”
Nico
has also produced something unique in his exhibition, too. His
inspiration is viewing footage from old 8 or 16 mm films. Then he
takes a printout of an image he likes. Using it as the start, he
starts painting. Usually it ends up as an abstract or a figurative
image, an oil on linen or canvas.
“I
always do a series,” he says. “The last series was called
Reminiscences. As a middle-aged person, I began thinking about the
past.”
One
who served as a creative spur was his wife's 92-year-old grandfather,
who lived in a house all by himself in a town called Sint-Niklaas.
When Nico went visiting, he found the interiors very interesting.
There were old artifacts, like a statue of a Chinese girl, and a
small carpet on the floor.
“People
don't see these hand-made carpets in Belgium anymore,” says Nico.
“Everything is machine-made. Unfortunately, the craftsmanship is no
longer there. Products lack soul these days. It's always too
perfect.”
So,
Nico decided to do a six feet high painting, an oil on linen, of the
carpet, which is displayed at Anubhuti. “You experience another
dimension when you see a carpet on a wall,” says Nico. “When it
is laid on the floor, people don't notice it all that much.”
Another
painting is that of the German artist Martin Kippenberger (1953-97),
playing the drums. “In America, he has a big reputation,” says
Nico. “He was a musician, as well as a painter, who made large
installations. This is a tribute. Even though Martin was a member of
a punk band, he would always wear a tie and a suit. I saw this image
in a small catalogue and enlarged it.”
Surprisingly,
even though he is based in wealthy Europe, Nico is a part-time
artiste. During the day, he works at the Antwerp port as a
supervisor, but he ensures that he works on his art from 9 p.m. to 4
a.m.
“Yes,
it is difficult to be a full-time artist,” says Nico. “Out of 100
artistes in Belgium, only 10 can live only by art. I have three
children, a house to maintain, and many bills to pay.”
Nevertheless,
Nico's works are selling steadily. “One day, I hope to be full-time
artist,” he says.
(The
New Indian Express, Kochi and Thiruvananthapuram)
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