Debutant
director Zakariya and Nigerian actor Samuel Abiola Robinson talk
about 'Sudani from Nigeria', the football film that has become a
runaway hit
Photos: Nigerian actor Samuel Abiola Robinson with director Zakariya; Samuel with Soubin Shahir
By
Shevlin Sebastian
On
Saturday, a man stepped out of Padma theatre, in Kochi, after seeing
'Sudani from Nigeria'. He sat on his bike, rode out onto crowded MG
Road, but was soon hit by another bike. Later, he called up the
film's debutant director Zakariya and said, “In normal
circumstances, I would have shouted at him and got angry. But I was
in a different mood after seeing the film. I just asked him, 'Are you
okay?' That was the impact of the film on me. I wanted to tell you
this.”
When
Zakariya heard this, he was moved. He is getting a lot of calls –
from well-wishers, friends, relatives and members of the Malayalam
film industry. Asked whether he ever felt during the 36-day shoot
whether the film would be a hit, the Malappuram-based Zakariya, who
had come to Kochi for a brief visit, says, “I felt that only 40 per
cent of the people would like the film. One reason being that there
are no stars, except for Soubin Shahir, and no heroines.”
But
Zakariya admits that Soubin is the fulcrum of the film. “His acting
is brilliant,” he says. But when Zakariya first went and meet him
at his home in Fort Kochi and narrated the script, Soubin was
non-committal and just said, “We will do the film.”
The
story is inspired by the Sevens football that is an unique part of
the culture of Mallapuram. “Every year, there are lots of Sevens
tournaments in the region,” says Zakariya. “There is a lot of
interest and drama surrounding these matches. But what makes it
exciting is the presence of so many players from Africa. In one team,
you can have three Africans. There are more than three hundred
players and they stay in ordinary houses and lodges. So the idea of
doing a film about these people was the inspiration behind 'Sudani
from Nigeria'.”
And
the person who played the African player in the film is the 6' tall
Nigerian called Samuel Abiola Robinson who did not have much
experience of playing football.
So,
he had to do a lot of training on football grounds where the Sevens
tournaments took place. “I also trained at the HiLite Mall in
Kozhikode, where they have a place for football training on the
terrace called Forza Nets.”
Samuel
had to do other training too. “My character has an injury while
playing,” he says. “So I had to practise on how to walk on
crutches.”
And
he had some nerve-wracking moments. There was a scene when he had to
jump into a pond at Kozhikode. So, he went to the deep end and
waited. When Zakariya shouted, “Action,” Samuel jumped in. And
went right to the bottom, which was about 12 feet deep. “Although I
know swimming, I panicked and remained down for a few secs,
struggling for air, before the people on the set realised I was in
trouble,” says Samuel. “So they quickly dived in and pulled me
out. It was an embarrassing moment for me. I was actually so close to
the shore.”
But
all this has been made up by the reaction to the film. “It has been
overwhelming,” says Samuel. “They keep saying, 'I love you Sudu'.
And that has become my name. Everybody keeps calling me that. I feel
blessed to be part of this film. I feel very welcome.”
Not
surprisingly, Samuel is a fan of all things Kerala. “The people are
very kind and have this huge family network and kinship with each
other,” he says. “There were numerous occasions when we would be
filming somewhere and some random family would come to the set and
invite us for dinner. I was amazed by their kindness. In Nigeria,
people are very independent and it is 'every man for himself'. So,
this was a refreshing change for me.”
Indeed,
the movie is a refreshing change, portraying with great simplicity
and deep emotion the Muslim life in Malabar. And Zakariya has
highlighted one aspect that nobody seems to know about: the poor
treatment of stepfathers by the children of the first family. “When
I would walk down the streets, I would see these stepfathers
wandering from place to place. It would seem as if they were in some
form of internal exile.”
But
the audience is not in exile from the film. Instead, they are
flocking to the theatres as word of mouth and social media are
sending the film to stratospheric heights. “This is going to be one
of the greatest hits in recent times,” says a trade analyst.
(The
New Indian Express, Kochi and Thiruvananthapuram)
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