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LOCATION DIARY
Actor
Isha Talwar talks about her experiences in the films, 'Two
Countries', 'Ranam/Detroit Crossing', 'Bangalore Days', 'Thattathin
Marayathu' and 'Balyakalasakhi'
Photos: Prithviraj and Isha Talwar hamming it up for the camera on the sets of 'Ranam/Detroit Crossing'; Isha
By
Shevlin Sebastian
One
day, Isha Talwar was sitting at her home in Mumbai when she got a
call. A Telugu producer wanted to make a remake of the Mollywood
film, 'Two Countries' (2015). Isha was offered the same role that she
had done in the film. As Isha agreed, she suddenly went blank. She
could not remember what her role and the movie was all about.
“So
I thought that it would be best to call [director] Shafi Sir up and
find out,” says Isha.
When
she stated her request, a shocked Shafi began laughing loudly. Then
he said, “This is the first time anybody is asking something like
this to me.”
But,
he complied and told Isha about her role and the storyline. However,
because of a clash of dates, Isha could not act in the film.
But
Isha is deeply immersed in her latest film, 'Ranam/Detroit Crossing'
which stars Prithviraj and will be releasing in April. “During the
shoot, we were literally taken by storm,” says Isha. “Hurricane
Irma hit Florida, while we were some distance away in Augusta. There
was a lot of rains and winds and it had become chilly. But the shoot
was stopped because many technicians, like the make-up artist and
assistant directors, had families who were living in the eye of the
hurricane. So they had to rush back to place their families in safe
shelters and organise food for them.”
Shooting
in the USA is quite different from what it is in Kerala. For example,
the junior artists belonged to some of the richest families. “They
just loved being part of a Malayalam film,” says Isha. “Many of
them came to work in their Mercedes Benzes or flashy SUV's
(Sports-Utility Vehicles).”
During
the two-month shoot, Isha interacted with a lot of Malayali families.
And during one shooting schedule, she stayed for a week with Dr
Daniel George, his wife Grace and their family at Augusta, because
she wanted to eat home-cooked food. “My producer was thrilled
because he would be saving money,” says Isha jokingly. “As for
Grace Aunty, she cooked the most amazing food.”
On
the sets of 'Bangalore Days', Isha also had a one-of-a-kind
experience. After a shoot one day, Isha spent time with co-actors
Parvathy and Nasriya in a hotel room. “It was the first time I was
interacting with my fellow women actors in Mollywood,” she says.
“It felt good to know that we could all leave our vanities aside,
and just hang out with each other and have regular girly
conversations. Of course, the bonus for me was to get a peek into the
Malayalam film industry from their point of view.”
Both
Parvathy and Isha felt that Nasriya was natural in her acting.
“Nasriya has more fun because she
is so spontaneous and does not seem to care,” says Isha. “On
the other hand, Parvathy told me she was a pure Method actor and does
research before she plays a role. For me, I was so new, just hearing
all this gave me a different perspective. I realised that I had to
find my own way of doing things.”
Isha
had a completely different experience on the sets of her debut film,
'Thattathin Marayathu' (2012). The shoot was taking place in
Thalaserry and it was about 40 degrees Celsius and burning hot. When
there was a break in shooting, Isha took shelter in an
air-conditioned vanity van. “It was like a match-box and there
would always be six or seven people – Aju [Varghese], Nivin
[Pauly], Srinda [Arhaan], Tushara [Thomas], and Bhagath [Manuel],”
says Isha. “There was a lot to chat about, but mostly the
conversation was, ‘Vacate the seat, I want to do the touch-up’,
or ‘I want to use the bathroom, can you get out?’ We were jammed
into each other’s spaces, but we also had a good time.”
Another
unique experience that Isha had was when she acted with superstar
Mammootty in the film, 'Balyakalasakhi' (2014). During breaks in
shooting, the duo would talk a lot. “The conversation ranged from
food to his exercise regime and Mammootty Sir’s journey as an
actor,” says Isha. “It was amazing how he could connect so easily
with people of varying age groups.”
And
then one day Mammootty said, “At some point in their careers, all
actors become narcissistic.” Isha immediately said, “Sir, I beg
to differ.” But today, she is not so sure. “I believe what
Mammootty Sir said was correct since actors tend to live in a
bubble,” she says.
(The New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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