Kalaripayattu
master K Sunil Kumar Gurukkal talks about his experiences of working
with Padmawat stars Ranveer Kapoor and Shahid Kapoor as well as other
Bollywood, Mollywood and Hollywood stars
By
Shevlin Sebastian
At
Subramanian, a town in Karnataka, Mollywood superstar Mammootty was
standing with a six-feet-long urumi (a type of steel whip, with
several strands) in his hand. Three hooligans approached him with
swords. This was during a shoot of the film, 'Mammankam'.
Kalaripayattu master K Sunil Kumar Gurukkal stood to one side
watching keenly. He was choreographing the kalaripayattu moves.
As
Mammootty swung the urumi, an opponent lunged forward. Unfortunately,
his sword grazed the back of Mammootty's hand. “Mammootty Sir
started bleeding,” says Sunil. “The nerves had been cut. And
there was a large swelling.”
The
shoot was stopped at once. Crew members rushed to get ice. Soon, it
was wrapped in a piece of cloth and pressed against the back of the
actor's hand. Medicines were given. However, within half an hour, a
grimacing Mammootty resumed shooting.
As
all this was taking place, Sunil’s mind went back to a few months
earlier when he was at the Reliance MediaWorks Studio at Film City,
Mumbai. Bollywood star Shahid Kapoor was wielding the urumi and, like
in Mammootty's case, somebody hit him on the back of the hand.
“Thankfully, the injury was not serious,” says Sunil.
In
fact, for about six months, Sunil would regularly go to Mumbai to
impart training to Ranveer Singh and Shahid for the fight sequence
between the two for Sanjay Leela Bhansali's film, ‘Padmawat’. “I
had worked extensively with Ranveer earlier for ‘Bajirao Mastani’,”
says Sunil. “So he picked up the moves very fast, as did Shahid.”
Sunil
was all praise for the two stars. “They were completely dedicated
and focused,” he says. “Once, because of a tight shooting
schedule, Ranveer came at 5 a.m. to the studio to practice.”
Sunil
has worked with other Bollywood stars like Shah Rukh Khan, Abhishek
Bachchan, Akshay Kumar, and Ajay Devgan apart from heroines like
Deepika Padukone and Kareena Kapoor.
For
all of them, he has a basic teaching method. “In the beginning, we
teach a lot of animal postures,” he says. These include the varaha
(wild boar), simham (lion), sarpam (snake) and gaja (elephant).
“These are warrior postures,” he says. “Thereafter, I teach
them the forward and backward movements. Then there is training with
the swords and the Urumi.”
Sunil
had also made a foray into Hollywood through Jackie Chan's film, 'The
Myth'. “The shoot was in Shanghai,” says Sunil. “Through
research, the film-makers came to know about kalarippayattu and got
in touch with our branch head in Thiruvananthapuram, Satyanarayana
Gurukul who informed me.”
Sunil
was much taken up by Jackie. “He was flexible and knew many martial
arts,” he says. “Jackie learned quickly.”
And
he was a warm-hearted person. Once Jackie was travelling in his
trailer during an off-day. He spotted Sunil and his brothers Anil and
Gopakumar, along with the dancers of the Kozhikode-based CVN Kalari
Nadakavu walking along a sidewalk following a shopping trip. “He
stopped the vehicle and beckoned for us to join him,” says Sunil.
“Then he dropped us to the hotel. I was amazed that a Hollywood
superstar could show such humility.”
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