COLUMN:
LOCATION DIARY
Production
controller Sidhu Panakkal talks about his experiences in the films,
'Appu', 'Ponthan Mada', ‘Ormacheppu’ and ‘Padayani’
Photo by Albin Mathew
By
Shevlin Sebastian
For
an early morning shoot at Mahabalipuram for the film 'Appu' (1990),
Mohanlal set out from Chennai in a Contessa along with a driver. The
East Coast road was smooth, the traffic was sparse and they were
going at a good speed when suddenly the car experienced engine
trouble and sputtered to a stop.
Mohanlal
stepped out. He looked up and down the road. There were no vehicles
in sight.
Meanwhile,
everybody had reached the set but Mohanlal was missing. “There were
no mobile phones at that time,” says production controller Sidhu
Panakkal. “We stepped out on the road to see whether Mohanlal Sir
was coming. But no vehicle came.”
After
a few minutes, Sidhu saw a van coming at full speed. It was a
production vehicle which was bringing the food for the unit. But
suddenly, Sidhu saw a handsome man sitting beside the driver. When
the van came up, he realised that it was Mohanlal.
“The
driver told us that Mohanlal stopped the vehicle and got on,” says
Sidhu. “Most superstars would not have done that. They would have
asked for a car to be sent. But thanks to the down-to-earth nature of
Mohanlal, he arrived on the set a few minutes late.”
On
another occasion, for the film, ‘Akkare Akkare Akkare’ (1990),
Sidhu went to Mangalore where Mohanlal was acting a Priyadarshan film
to collect his passport and of a few others because there was a
schedule in America. When Mohanlal gave the passport to Sidhu, in his
hotel room, he asked the latter where he was staying.
“I
will take a room in a hotel,” said Sidhu. Immediately
Mohanlal
replied that there was no need. “You can stay with me in my room,”
he said. A moved Sidhu accepted the offer. “Mohanlal Sir is a
superstar but he did not think twice about asking me to share his
room even though I was only a production manager at that time,” he
says.
Sidhu
had a moving experience with another superstar. During the shoot of
'Ponthan Mada' at Kotapara, every day Sidhu would go and collect
Mammootty from his hotel in Guruvayur. One day, director TV Chandran
told Sidhu to tell Mammootty to shave before coming to the set. But
when Sidhu went to meet Mammootty he was all dressed up and ready to
go. So they left immediately in the car.
After
they travelled quite a distance, Sidhu suddenly remembered that he
had forgotten to tell Mammootty that he needed to shave. “Even
though we were inside an air-conditioned car, I began perspiring,”
says Sidhu. “I did not know what to do.”
When
they reached the shooting area, Sidhu walked beside Mammootty and
quickly told him about his memory lapse. “Mammootty Sir just stared
at me and did not say anything,” says Sidhu.
When
Chandran saw Mammootty, he said, “Oh my God, you have not shaved.”
Mammootty
said, “Sidhu told me to shave but since two days later, I have to
act in a scene with a beard, I thought I would keep it.”
Chandran
said, “I agree but for this romantic scene, I need you
clean-shaven.”
Mammootty
nodded and called make-up man Pattanam Rasheed, who, luckily, had a
spare razor. “In the end, Mammootty Sir got a shave,” says Sidhu.
“And he saved my job.”
But
not all experiences are inspirational. In ‘Ormacheppu’ (1998),
the location was at Valparai in Tamil Nadu. The shoot, late at night,
involving Baburaj and Lal was inside a tea factory. “We placed a
light on the road,” says Sidhu.
However,
two drunken men came up and said that the crew could not put a light
on the road. Soon, they slapped a couple of the team members. But the
crew retaliated and beat them up also. In the end, the duo left.
“The
local manager informed us that they were dangerous people who
belonged to the ruling party,” says Sidhu. “There was a good
chance they would return with more men and create havoc. He told us
it would be better to leave at once.”
Very
quickly, producer Ouseppachan and Sidhu rushed to the hotel. “We
collected all the clothes and other items from all the rooms,” says
Sidhu. “Then we paid the bill and left.” The entire production
moved, at full speed, in the night to Marayoor, 115 kms away.
Thus
far, Sidhu has worked in 120 films over 31 years. But his career in
Mollywood began rather casually when he went to Chennai in 1986 to
try his luck. He stayed at his aunt’s home.
Luckily,
Sidhu’s cousin Suresh's friend was Alvin Antony, who was working as
a production assistant on Sukumaran’s film, ‘Padayani’. So,
Alvin invited Sidhu to come to the set. Soon, he began doing odd
jobs.
One
day Alvin had to leave for Kerala for some personal reasons. So
Sukumaran called Sidhu and asked him to take over. “In fact,
Sukumaran Sir asked me to stay at his house in Ashok Nagar which had
nine bedrooms,” says Sidhu. “From the beginning, Sukumaran Sir
and Mallika Madam treated me like a member of their family,” says
Sidhu. “I will always be grateful to them.”
(The
New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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