Saurabh
Shukla, actor extraordinary, returns to the theatre after a gap of 18
years
Photo: Saurabh Shukla in a scene from the play, 'Two to Tango and Three to Jive'
By
Shevlin Sebastian
In
1994, a script-reading session of the 'Bandit Queen' film was taking
place. There was director Shekhar Kapoor, actors Seema Biswas and
Saurabh Shukla, and a couple of Saurabh's friends from the National
School of Drama in New Delhi. “There was a scene which was funny,
and I read it quite nicely,” says Saurabh. While everybody
congratulated Saurabh, Shekhar kept quiet.
Later Shekhar said, “You have performed it so well and clearly that I can sit on the 50th seat and know what the scene is like. In that case, I will be tempted to take my camera 50 seats away. But if you keep the emotion inside, then I might not see it in the 50th row and might come to the 20th row. If you hide even more, I will come to the first row. But if you hide the maximum I will come and take a close-up of your face.”
What
Shekhar was trying to say was that Saurabh needed to internalise the
emotion. “This was a tip that I never forgot,” says the actor.
Saurabh,
of course, made his mark with the blockbuster Mafia film, 'Satya',
where he played the gangster Kallu Mama. “I did not perform well,”
says Saurabh. “My co-actors did well and I reacted to that. It is a
tango. It cannot be a one-man show. You need great actors around you
to do good acting.”
Incidentally,
'Satya', released in 1998, was one of the turning points in
Bollywood, because a non-commercial film had become a hit. “Suddenly
the market was going 'Oh, Oh',” says Saurabh. “Who are these new
boys? They don't look like heroes. One is fat, another is thin, while
the third is dark.”
Thanks
to 'Satya', Saurabh was flooded with roles. And, in an 18-year
career, he has acted in about 70 films and has been frequently lauded
for his extraordinarily natural acting. Some of the movies include
'Taal', 'Lage Raho Munna Bhai', 'Slumdog Millionaire', and 'Barfi'.
He has also been a scrip-writer as well as a director.
And
during these years he never once thought of theatre, even though in
the early 1990s, he was part of the Repertory Company of the National
School of Drama. “Theatre is a big commitment,” he says. “It
takes me three months to get ready for a play. If I concentrate on
that, I would lose many roles. If I go to a city to act, I cannot be
present for a movie shoot.”
But
today, well-established and seasoned, he no longer has the fear that
if he stays away for one month from Bollywood, people will forget
him. And that is how Saurabh came to Kochi, recently, to play
Parminder Singh Sethi, a middle-aged, pot-bellied hotelier, in a
stagnant marriage, who is looking to have affairs.
Pitted
against Saurabh, in the play, 'Two to Tango and Three to Jive', are
the actresses Achint Kaur, Mona Wasu and Preiti Mamgain. The
dialogues are crisp, funny, and bold. Here's what one of the
characters, Shomali Singh, said, “I love these pure sexual
experiences. They complete me. I feel like a woman.” And a baffled
Saurabh tries to come to terms with this frankness, with subtle
movements of his face and hands. Not surprisingly, at the end of the
play, the actor-director received a standing ovation.
And
Saurabh also expects plaudits for an upcoming film, 'Jolly LLB',
which will be released in March and stars Boman Irani and Arshad
Warsi. “I play a judge called Tiwari,” he says. “I am very
excited by the way I played it.”
Saurabh
Shukla, actor extraordinary, is still going strong!
(Sunday Magazine, The New Indian Express, South India and Delhi)
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