At
81, Lalitha Das, the founder of the Bangalore Club for Kathakali and
the Arts, is busy promoting the art form
Photo by Vinod Kumar T
By
Shevlin Sebastian
On
most mornings, these days, Lalitha Das is on the phone. Either she is
calling up Kathakali dancers or speaking to hotel employees or tour
operators or sponsors. That is because she is preparing for an
upcoming Kathakali production. “All the artistes will be coming
from Kerala,” says Lalitha, the founder of the Bangalore Club for
Kathakali and the Arts. “There is a lot of hard work behind the
scenes. But I feel confident after our last programme went off so
well.”
This
took place at the Chowdiah Memorial Hall on a balmy October evening
where the Kathakali classical opera, ‘Karna: The Invincible’ was
enacted. In the first scene, the dancers stood one behind the other
and raised their hands to the heavens. Right behind, on a screen,
there was an image of the orb of the sun rising between two mountain
peaks.
“In
this scene, Kunthi asks for a boon and is granted a son by the Sun
God,” says the director and scriptwriter Meena Das Narayan. In the
next scene, Karna the baby is adopted by a charioteer and wife and
grows up as a commoner. Eventually, he becomes an ace archer who
challenges the Pandavas and Kauravas in a display of strength.
Watching
from a corner with a smile on her face is Meena’s mother Lalitha.
The sequences of the sumptuous cultural extravaganza are dramatic,
with dancers wielding maces and jumping across the stage accompanied
by pulsating music. Karna is played by Kathak dancer Tushar Bhatt,
while his wife Pooja has done the choreography. A total of 55
artistes are taking part.
The
idea for a cultural club came up over a dinner conversation that
Lalitha had with Meena and her husband, Narayan, after her husband KG
Das passed away in 1999. “It became difficult for me to travel to
Kerala on my own to watch Kathakali performances. I felt that through
the club, we could popularise as well as watch Kathakali in
Bengaluru,” says Lalitha.
Today,
the club is thriving. But Lalitha has a clear agenda. “I want to
promote Kathakali among other communities, like the Kannadigas,
Tamilians and the Telugu people,” she says. “Hence, the mudras
are explained in detail so that the audience can follow the
performance and understand it.”
Apart
from Kathakali, the club promotes other classical dance forms like
the Kuchipudi, Mohiniyattam and Bharatanatyam.
But
the emphasis is on Kathakali. “It is an enduring love,” says
Lalitha, who learnt the dance form as a child while growing up in
Thiruvananthapuram. Thereafter, at age 17, she got married and left
Kerala. Since her husband, a chief engineer, had a transferable job,
she moved from place to place: Burla (Odisha), Delhi, Pune, Baghdad
and Tripoli. Sometimes, she would organise Kathakali performances
whenever the couple were in India.
Asked
the charms of Kathakali, Lalitha says, “Kathakali is a combination
of excellent music, percussion, and action. There is no other art
form that combines all three so well. And the artistes are so
dedicated and look beautiful.”
Not
surprisingly, her idol is the legendary Kalamandalam Gopi. “When he
is in full costume, like Karna, he takes us back to that era,” says
Lalitha. “He has the magic to immerse himself in the character. And
his eyes are so expressive.” Incidentally, Meena made a documentary
on Gopi, called, 'The Making Of A Maestro', which won the Kerala
State Award for best documentary in 2010.
Meanwhile,
when asked about her future plans, Lalitha says, “I plan to conduct
at least five to six performances every year. At 81, I am having the
time of my life.”
(Sunday
Magazine, The New Indian Express, South India and Delhi)
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