At
the Varsha Chitra exhibition, artists portray the 12 months of the
Malayalam calendar
Photos: An acrylic on canvas by Rajan Kadalundi; a watercolour by Seemon Joseph.
Credit: Mithin Vinod
By
Shevlin Sebastian
One
day, in October, 2010, Sasi K. Warier, owner of the Indian Art
Gallery, Kochi, got an idea: 'Why not form a group of like-minded
people?' And thus was born Panthirukulam. There are 12 artists of
varying backgrounds: two are cartoonists, one is a Customs
Superintendent, while another is a professor of paediatric nursing at
the Amrita Institute of Medical Sciences. “There are also web
designers, interior decorators, businessmen, and full-time artists,”
says Sasi. Incidentally, the name 'Panthirukulam' is a reference to
the legend of a woman having 12 babies all growing up in different
backgrounds.
One
year ago, Sasi came up with an idea of meeting twice a month where
they would do paintings on the 12 months of the Malayalam calendar.
“The reasoning behind it was that it would enable us to meet, work, and
bond with each other,” says artist Sunil Moothedath. So, in the
past one year, they did so, and the result is 'Varsha Chitra', an
exhibition in which there are 144 paintings, done by the 12 of them
to represent every month.
For Medam
(Aries, April-May), Rajan
Kadalundi has done an acrylic on canvas which shows a vibrant sun
beating down and two women who are holding sheaves of wheat, but are
perspiring profusely. One of them is also carrying a water utensil on
her hip. “I wanted to indicate that there is a water shortage,”
says Rajan. A boy is yelling as he holds up firecrackers in one hand
and a sparkler in the other. “During Medam, there are several
festivals and I wanted to show the celebrations,” he says. The
painting has been done in red to indicate the intensity of the heat.
The presence of a lighted lamp suggests the beginning of Vishu, the
new year.
Seemon
Joseph has adopted a signature image for all the twelve months. Every
one is of Nature. And they are all soothing sights: thick black
clouds hovering over an expanse of land, wet paddy fields in a
shimmering green, and for the month of Meenam (Pisces, March- April),
he has painted two ponds bifurcated by a mud path with coconut trees
on the fringe. “I decided to do portraits of nature because, in
watercolour, it looks the best,” he says.
Senior
artist T.N. Raju has shown a black crow sitting on a rock. Next to it
is a river with flower petals on it. Against the backdrop of clouds,
a lighted door can be seen in the sky. “This is the entrance which
leads to the other world, after we die,” says Raju. “That is why
it is brightly-lit.” When Raju was a child he was deeply affected
by the way the ashes were immersed in the water and flower petals
were strewn about and they flowed slowly down the river, indicating
the inevitable ebbing of life. The sight of a crow is always
auspicious during the month of Karkidakam (Cancer, July-
August).
James
P.J. has drawn an image of two cows with long horns racing down a
slushy field guided by two bare-chested farmers holding stick in
their hands. The splashes of water are shown in thin straight lines
at the bottom indicating the speed at which the animals are moving.
Behind them, are shadowy figures of men and women looking at the
action. “During the Medam season, such races take place regularly
in Kerala and Tamil Nadu,” says James. “There is a festival-like
mood and prizes are given to the winners.”
As
for Sunil Moothedath, he has done a simple work of several colourful
umbrellas placed in a bucket, just outside a shop, to indicate the
month of Edavam (Taurus, May-June).
Just beside the bucket
is shown the legs of a jean-clad man who is standing on the edge
of a step. “He has no umbrella, so he is waiting for the rains to
stop,” says Sunil. “This work shows that the monsoon season has
arrived.”
A.A.
Ajithkumar has drawn two grasshoppers sitting on top of each other on
a silvery leaf and copulating. There are flowers all around. In the
distance there are a hint of clouds and oncoming rain. “Usually the
grasshoppers get intimate at night, hence the presence of the dark
clouds,” says Ajithkumar. “And a pair is the symbol of the month
of Midhunam (Gemini, June- July).”
R.
Shyju has done something similar: a woman's face, painted in green,
half super-imposed on another, done in brown. “Since Midhunam is
Gemini in the English calendar, I wanted to portray the sun sign,
which has the twin symbol. So I showed the two faces of a woman.”
The
other artists who took part include T.N. Subodh Kumar, Balakrishnan
Kadirur, Joby Ravindran, and Manoj Mathasseril.
(The New Indian Express, Kochi)
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