By Dr. Iqbal Kuttipuram
(As told to Shevlin Sebastian)
As a homeopathic doctor working in
Dubai, I interact a lot with my patients and hear a lot of stories.
One day, a patient gave me a few DVDs of Bengali films. In one
there was a 15-minute film, called, ‘Tapan Babu’, made by
Indranil Roy Chowdhury. It is about a doctor's relationship with an
old patient. Later, the doctor commits a robbery. It was the spark
that gave me the idea for ‘Diamond Necklace’: of a Dubai-based
Dr. Arunkumar stealing a necklace from a patient, to pay off his
debts.
Dr. Arunkumar is the hero, as well as
the villain. The character is based on a friend of mine, who would
move around with twenty credit cards. I have seen many Malayalis in
Dubai who lacked financial discipline. They would spend excessively
by using their credit cards. But, in 2008, when the recession hit
Dubai, they were unable to pay their bills. Many of them ended up in
jail.
When I heard that 'Diamond Necklace'
was a hit, I felt a huge sense of relief. You must remember that an
enormous amount of money, effort and teamwork go into a film, on the
basis of my story. Out of 100 films released in Mollywood every year,
only four or five become hits. So, there is a moment of celebration
when a film does well.
For a good screenplay, the original
idea should have the potential to be developed into a script that
lasts for two-and-a half hours, and keeps the viewer glued to their
seats. The images must be fresh and interesting and should never have
been seen before. There should be a smooth progression from one scene
into the next. I always write the script from the viewpoint of the
audience.
The viewers should experience all the
emotions of the character, and have to be convinced that it is
genuine. Whatever script you write, if there is no emotional core in
it, then the film will not do well. If you look at the early
Siddique-Lal films, even though it was slapstick comedy, there was an
emotional resonance and that was why they did well.
Having said that, for the success of
'Diamond Necklace', it needed the aesthetic skills and fine
craftsmanship of director Lal Jose to convert what was on paper into
unforgettable scenes.
I have been a scriptwriter for ten
years and had some good hits: 'Arabikatha', '4 The People', and
'Swapnakoodu'. I wrote the basic story of 'Niram', which turned out
to be a super-hit. But 'Gramaphone' and 'Sevenes' did not do well.
Even today, I have no idea what makes a film a hit. But I feel
that if you write something with the utmost sincerity, the
audience will accept it.
Many people have wondered how a doctor
became a scriptwriter. Well, I wrote my first script when I was
studying at the Dr. Padiyar Memorial Homeopathic Memorial College at
Chottanikkara [25 kms from Kochi]. Through a mutual friend, I showed
it to veteran director Kamal. Although he did not make a film, he
liked the script. He asked me to meet him. Later, Kamal, who became
my mentor, allowed me to sit in at story discussions and occasionally
I have worked as an assistant in his films.
The lessons I learned from Kamal are
helping me even now.
(Scriptwriter Dr. Iqbal Kuttipuram has
had several hits in Mollywood)
(Published in The New Indian Express, South India and Delhi)
നെക്ലേസ് കണ്ടു വളരെ നന്നയിരിക്കുന്നു ഹാഷിം jeddah
ReplyDeleteALWAYS STEELING OTHERS STORY AND GETTING FAME & WEALTH.
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