Harikrishnan
G has put the spotlight on transgenders in his exhibition, ‘Trans –
A Transition for life’
Photos: Hariskrishnan G; Sheetal. Pics by Ratheesh Sundaram
By
Shevlin Sebastian
Three
years ago, magazine photographer Harikrishnan G had gone to Chennai
to take photos of a wheelchair-bound doctor by the name of Aishwarya
Rao who had done a lot of work to rescue sex workers. One day,
Aishwarya took Harikrishnan to a locality where sex workers and
transgenders lived. “That was the first time I had been to a place
like that,” he says. “The memory stayed with me.”
Recently,
while Harikrishnan was recuperating at home, following a surgery, the
images of the transgender colony came up in his mind. That was when
he got the idea to do an exhibition on them.
Through
his media contacts, he got in touch with Sheetal in Thrissur. And
after long discussions on the phone and a hour-long meeting, Sheetal
and her friends Deepthi and Sonu agreed to do a photo shoot.
The
fruit of that work can be seen in the exhibition, ‘Trans – A
Transition for life’ at the Durbar Hall, Kochi. Eight photos, 6' x
4' each, have been put up. Printed on archive paper, each costs Rs
75,000. “It is a labour of love,” he says. “I have spent my own
money.”
The
photos are striking. In one Sheetal (a man who has become a woman)
stands, her face turned sideways to the camera, and eyes closed,
because coloured powder has been thrown at her. “This is the powder
that is used during the Holi festival,” says Harikrishnan. “And
it signifies a celebration of transgenders.”
In
the next photo, Sheetal is wearing a white frock, with long black
hair cascading towards her shoulders, kaajal-rimmed eyes and red
lipstick. She is standing behind an open bird cage while paper birds
hang in thin strings from the ceiling. Many birds are outside the
cage. Is freedom coming for transgenders is the silent question.
The
third photo is stunning. This is Deepthi who has posed half-nude, her
breasts covered by her two hands. There is a tattoo of a heart being
pierced by an arrow over her left breast, a shining gold necklace
around her neck and plastic flowers in her hair. But the striking
feature is her eyes: it has a mix of defiance and excitement in them.
This is Deepthi's first opportunity to express herself as a
transgender in a society that has all but made them invisible.
In
another heart-warming picture, a male, Sonu, and Deepthi, sit next to
each other and hold hands.
Harikrishnan
has also taken a photo of Sonu, as a nude man, but, at his hips, he
has placed a triangular mirror. When you stand in front of the photo,
you end up seeing your own face. “What I wanted to tell the
visitors was that we have both male and feminine traits within us,”
he says. “So we should learn to accept those who are different from
the normal.”
Unfortunately,
in Kerala society, there has been a marked lack of acceptance. As a
result, transgenders have a difficult time. “They find it hard to
rent a house or get a job,” says Harikrishnan. “They get no
support from their families. When they walk on the streets, people
make pass cruel comments. Because of the difficulties of living here,
many have left the state.”
Harikrishnan
is hoping that his exhibition will cause a change in the mind-set. “I
want to make people aware that transgenders are normal people, just
like you and me,” he says.
(The
New Indian Express, Kochi and Thiruvananthapuram)
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