COLUMN:
LOCATION DIARY
Photo of SB Satheeshan by K. Shijith; Manju Warrier and Jayaram in the song, 'Confusion Theerkaname'
Costume
designer SB Satheeshan talks about his experiences in the films,
‘Kathapurushan’, 'Guru', 'Black' and 'Summer in Bethlehem'
By
Shevlin Sebastian
In
his first film – Adoor Gopalakrishnan’s ‘Kathapurushan’
(1995) – costume designer SB Satheeshan was told to make a uniform
of a Kerala policeman of the 1940s. But when Satheeshan came across
the cloth, he realised that it was of a very thick material, almost
like a canvas.
“It
was very difficult to stitch that cloth,” he says. “I used an old
Singer machine, with a thick needle, which was provided by Adoor Sir,
but still could not do it.”
So,
he went to Adoor and told him that when he tried to stitch the
uniform, 15 needles broke. “This was an exaggeration,” says
Satheeshan. “But I wanted to show how difficult it was. Adoor Sir
replied, ‘No problem, break about 25 needles, but I need this
material only’.
This gives you an idea of his dedication and desire
for authenticity.”
In
his next film, ‘Guru’ (1997), Satheeshan was asked to make a
crown for Suresh Gopi who played a blind king named Samanthaka
Rajavu. To suit the story, Satheeshan made a crown and costume of
coir and bamboo.
But
when Suresh saw it, he wasnot sure whether it would be suitable for
his character.
“I
felt a great tension within myself,” says Satheeshan.
Actor
Mohanlal, who was nearby said, “Wearing such a costume is a rare
opportunity. I don’t think there is anything wrong with it.”
But
Suresh remained unconvinced.
Then
Mohanlal asked Satheeshan’s help to put on the costume. “When I
did so, all the crew at the location looked amazed at how good
Mohanlal looked,” says Satheeshan. “That was when Suresh was
convinced.”
The
shooting resumed. “The next day, a grateful Suresh gave Satheeshan
Rs 1000 to show his appreciation. “I shared it with my assistants,”
he says. “It was a happy moment.”
But
Satheeshan went through moments of deep tension on the sets of
'Black' (2004). At the climax, there is a conflict between Mammootty
and Lal. A bottle of brandy falls to the floor. Mammootty throws a
matchstick and Lal's white dhoti catches fire.
This
shot was taking place at night in a house at Thevara, Kochi.
Satheeshan was at home a few kilometres away. At 12.30 a.m. he got a
call from the set. Three dhotis with a black border had been burnt
but director Renjith was not happy with the shot. Satheeshan was
asked to get another dhoti. But as he was being driven to the set, he
wondered, 'At this time of the night, how am I going to get another
dhoti, with a black border?'
If
the production stopped, the producer would lose lakhs of rupees
because it would have to continue the next day. But when Satheeshan
arrived at the set and saw the burnt dhotis he suddenly got a
brainwave. He cut away the non-burnt black border, and stitched them
together on a white dhoti and got the border again. “So, the
continuity in the scenes could be maintained,” says Satheeshan. “I
was so relieved.”
Lal,
who was producing the film, was also relieved. He shook the costume
designer's hand and said, “This is the reason why we hire SB
Satheeshan.”
The
designer smiled happily.
However,
there was similar tension on the sets of 'Summer in Bethlehem'
(1998). For the song, 'Confusion Theerkaname', Satheeshan made
Jayaram wear a white juba, dark sunglasses, and a white headgear. One
day, Jayaram’s wife Parvathy came to the location at Chennai. When
she saw Jayaram, she said that this is the type of headgear that
women wore when they worked in the paddy fields. “I agreed, but had
wanted to give a different look to Jayaram,” says Satheeshan. “I
said the costume was aimed at matching the zany mood in the song. But
Parvathy suggested that it should be changed.”
At
that time director Renjith was looking after the costumes. Satheeshan
asked Renjith to have a look. And when the latter did so, he liked
it. So it was retained.
“The
song became a big hit,” says Satheeshan. “Thereafter, in many
reality show competitions on TV, I had to give marks to participants
who wore the same costume as Jayaram. In fact, Jayaram said the same
thing happened when he was a judge.”
(The
New Indian Express, Kochi, Kozhikode and Thiruvananthapuram)
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