The
play, ‘Pune Highway’ electrifies a Kochi audience with its witty
one-liners and swift developments
By
Shevlin Sebastian
It
is 5 a.m. In a hotel room beside the Pune-Mumbai highway, are three
friends, Nicholas Thomas (Nick), Vishnu and Pradeep
Khandelwal.
It
is a seedy room. On the wall, a graffiti line can be seen:
‘Clenliness (sic) is next to godliness’. There is a washbasin at
one side; a table and chair on the other end. Next to a bed in the
middle, there is a phone placed on a low stool.
Earlier,
Nick, Pradeep, Vishnu and Babu had been travelling in a car.
Accompanying them is Pradeep’s girlfriend, Mona.
There
seems to be a body on the road. The friends stop to investigate.
Immediately, they are attacked by a gang of ruffians with swords.
They rush back to the car, but Babu has received multiple wounds and
is left behind. Now they are in the hotel room, wondering what to do
now. “The cops will finish us if they find out,” says Pradeep.
“Look at us: three rich boys, a Mitsubishi Lancer, and a girl.”
But
this is not accepted by Nick. “You wanted to slip off,” he says.
“You were only bloody thinking of yourself.”
Retorts
Pradeep: “It was either saving Babu or saving all our asses. It was
a judgement call.”
Vishnu,
the stockbroker, says, “It was a wrong one, Pramod. You were too
busy with the babe in the backseat of the car.”
There
is an intense argument with the three of them, with Nick drawing
hilarious laughter from the audience, because he stammers and
stumbles over words and sentences.
A
waiter, Sakharam, comes in with tea they had not ordered. But Sakaram
insists they had placed the order. Nick says, “I hate these
buggers, their attitude just sucks.” Sakharam leaves after a while.
Meanwhile,
when queried about Mona, Pradeep says that she has gone to her
father’s house in Lonavla. Asked why she was allowed to do so,
Pradeep shouts, “We don’t want her to get involved in all this.
It is best to keep chicks out of all this. Women panic under
pressure. They are not like us guys.”
When
his two friends ask Pradeep on how he came across Mona, he says, “We
met in a bar and got talking about horses.”
Immediately
Nick says, “So you only know this babe for a few days and you start
riding her.”
The
waiter reappears by singing Kishore’s Kumar’s ‘Andheri raaton
mein sunsaan rahon par’.
Nick
says, “He is messing with our brains.”
He
shouts at Sakharam, “Take a walk.” Since the waiter does not know
English, Nick says, in Hindi,
“Tum
iha se paidal jao.” The audience, at the TT Pac, Kochi, is in splits. Then Sakharam says,
“Maal a raha he. Quality maal (A beautiful girl is coming along).”
Suddenly,
Mona comes in. She is wearing a reddish top, which is cut at the
midriff and tight white trousers, with a golden belt. A sunglass is
placed in her hair and she is wearing large earrings and bright red
lipstick. As she answers the question about why she came, she
suddenly has a vomiting sensation and rushes to the bathroom.
When
she returns, Vishnu asks her point-blank, “Why have you vomited? Is
it some bad food you ate late night or you are carrying his bastard
child?”
Mona
smiles and says, “Pramod, we are pregnant.”
Pramod
says, “We cannot have this child. Do an abortion.”
She
says, “How can you not accept your responsibility? This is 50 per
cent your creation, no? It is not a game, Promo. I want you to accept
your responsibility.”
A
few dialogues later, the three friends realize that Mona is the
daughter of an influential politician, Sanjay Mansekhar
Says
Nick to Pramod: “This is serious shit. Don’t you know anything
about the people you are screwing or what?”
More
witty dialogues later, Mona understands that Pramod has been married
to Seema for 12 years.
“You
wanted to have your fun, but now pay-up time has come,” says Mona.
“All you boys are the same.”
And
she rushes out of the room. Thereafter Sakharam comes in and tells
them that Manshekhar’s henchmen are coming and there is no escape.
It
is a gripping play, with superb one-lines and repartees by
writer-director Rahul D’Cunha, which keeps the action moving
forward at an electrifying place. The acting is superb, by Rajit
Kapur (Pradeep), Ashwin Mushran (Vishnu), Yamini Namjoshi (Mona), and
Shankar Sachdev (waiter), but the standout performance was by Bugs
Bhargava Krishna as the stammering Nick.
‘
Pune
Highway ’ was premiered at the Writers’ Bloc festival in 2004,
and there have been over a hundred performances in India. It was also
staged at the prestigious Biennale Bonn Festival in Germany, as well
as in the UK, South Korea, Holland, Belgium, and Malaysia.
(The New Indian Express, Kochi and Thiruvananthapuram)
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