COLUMN:
LOCATION DIARY
Make-up
artist Pattanam Rasheed talks about his experiences in Mollywood
By
Shevlin Sebastian
Photos: Pattnam Rasheed applying make-up on Mohanlal for the film, 'Paradesi'; In his studio
At
4 a.m., on a cold winter's day, in 2007, superstar Mohanlal knocked
on make-up artist Pattanam Rasheed's door in a hotel at Jodhpur and
said, “Are you awake?”
“Yes
Sir,” said Rasheed, as he opened the door.
They
both had tea. Then the elaborate make-up for Mohanlal began. In PT
Kunju Mohammed's film, 'Paradesi', Mohanlal plays Valiyakaththu
Moosa, a Muslim who went to Pakistan, before Partition, but returns
soon after, but he possesses a Pakistani passport. So he is not
accepted as an Indian.
“In
the film, Mohanlal's ages from 35 to 80,” says Rasheed. “For this
particular shot, Mohanlal was playing an old man.” Rasheed used a
prosthetic cap to make Monahlal look bald. Thereafter, he used a
white beard as well as an old age stipple lotion, to indicate
wrinkled skin.
At
the shoot commenced, in the Thar desert, the villagers gathered
around. A group of men asked Rasheed, “Who is the star?”
Rasheed
pointed at Mohanlal and said, “He is.”
With
a mocking look, one of them said, “How can this old man be the
star?” Another man said, “You are fooling us.” They abused
Rasheed and walked away.
But
Rasheed felt happy. “In fact, I felt thrilled that they did not
realise that it was all make-up,” he says. “The triumph of a
make-up artist happens when viewers look at an actor and cannot
figure out whether make-up has been used or not.”
The
shoot progressed smoothly. However, the next morning, when Rasheed
placed the bald cap, on Mohanlal's head, a large indentation appeared
at one side. “Somehow, I could not solve the problem even after
one-and-a-half hours,” he says. So Rasheed told the director if he
could do a scene with Mohanlal as a middle-aged man. He promised to
finish the make-up in half an hour. Kunju Mohammed agreed.
That
night, when they were relaxing in the hotel, Rasheed told veteran
actor Thangal, who had a small role, about the events regarding the
bald cap. Thangal, who has some knowledge of healing, asked Rasheed
to get a few eggs.
Then
Thangal wrote something in Arabic on the shell of two eggs.
Thereafter,
they went into Mohanlal's room. Thangal made the star lie down on the
bed. “Then Thangal said some mantras in Arabic while moving the
eggs over Mohan Lal's body,” says Rasheed. “Afterward, he threw
the eggs out of the window. He did the same for me.”
Following
this, there were no problems whatsoever on the film. “Thangal told
me that a crew member may have given out negative vibrations,” says
Rasheed. “He removed it with his mantras.”
It
seemed to have worked. The film won several awards including Best
Actor for Mohanlal at the Kerala State Film Awards as well as the
National Award for Best Make-up Artist for Rasheed, the first time a
make-up person from Mollywood has won it.
(The
New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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