COLUMN:
LOCATION DIARY
Make-up
artist Pattanam Shah talks about his experiences in the films,
‘Albhutha Dweepu’, 'Siamese Irattakal', 'Ayaal', and
'Kattuchembakam'
Photo by Albin Mathew
By
Shevlin Sebastian
At
4 a.m., make-up artist Pattanam Shah, along with costume designer SB
Satheeshan, headed towards a hill in Kava, Palakkad during the shoot
of Vinayan's ‘Albhutha Dweepu’ (a film about dwarfs released in
2005). “I knew it was going to be a difficult day,” says Shah. “I
had to get the make-up of 300 small people done by 11 a.m.”
However,
when he arrived at the shed where the make-up was supposed to be
done, he realised he had a problem. “Suddenly, I wondered how we
would do the make-up of small people while they sat in normal
chairs,” says Shah. “We would have to bend a lot. And it would
slow us down.”
Shah
was wondering what to do. 'How would it be possible to get high
stools in this distant location?' he thought. Anyway, he spoke to
associate art director Shiji who said, “There's nothing to worry.
We will solve the problem.”
Suddenly
about 15 high stools appeared from nowhere. The production team had
anticipated this problem and got the stools in advance. Both Shah and
Satheeshan felt so relieved. “We could do the make-up and the
costumes quite fast and all the actors were ready on time,” says
Shah. “This was a rare occasion when a production team anticipated
a problem and provided solutions.”
Shah
had a different experience on the sets of 'Siamese Irattakal' (1997).
Sainudeen and Maniyanpilla Raju played the role of Siamese twins. “At
that time, nobody knew much about prosthetic make-up,” says Shah.
“We had to join two stomachs. And the actors had to face each
other.”
Two
technicians came from Chennai. They took the measurement of the
stomachs of both actors. Then they made rubber moulds. It was placed
around their stomachs like a belt. “Then I got both the moulds to
be glued together,” says Shah. “So the actors were stuck. There
was a shirtless scene. We painted the moulds in a body colour, so
nobody could notice the difference.”
The
shoot went off well. The director and the crew praised Shah. But when
the late Rajan P Dev said, “That was a beautiful shot,” Shah got
emotional. “For me, getting praise from such a senior and respected
artist as Rajan Chettan was better than receiving a national award,”
says Shah.
In
Suresh Unnithan's 'Ayaal' (2013), Shah went through a nerve-wracking
experience. The shoot was on an island in the Kuttanad area in
Alleppey district. There were about 100 people present. “For lunch,
all had to travel on small boats to reach the eating location on
another island nearby,” says Shah.
As
he was awaiting his turn, Shah saw a fisherman on a small boat, with
a motor at one end. “He said he would drop me,” says Shah. “So
I agreed. As soon as the motor started, and the boat moved forward, a
gush of water shot up from a hole in the bottom.”
The
man immediately stopped the motor. And he began to use his paddle.
But the water was steadily filling up in the boat. “Since I did not
know swimming, I was scared,” says Shah. “And the water was quite
deep in that area. But the boatman was paddling very fast, and
somehow, before the boat could capsize, we reached the other island.
It was a close shave for me.”
Shah
had another close shave on the sets of 'Kattuchembakam' (2002), which
starred Jayasurya and debutant Charmy Kaur. There was a shoot in the
water, near the Athirampally Waterfalls, while the camera was placed
on the bank.
Shah
was assigned the task of holding Charmy. “There was a good flow of
water,” he says. “There was talk that the current might suddenly
increase in speed.”
As
they waited somebody shouted, “Be careful.” And indeed, the water
started coming down in powerful waves. It hit Charmy and Shah with
full force. Both lost their footing and went underwater. “I thought
we would be washed away,” he says. As they began to panic, a
quick-thinking crew member managed to hold Shah's hand, while Charmy
grabbed Shah’s body. The crew member had to use all his strength to
pull the duo to the bank. “Thanks to God, we survived,” says
Shah.
(The
New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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