Mishko
M'Ba and his band played superbly at a concert to honour of one of
jazz music's greatest artists -- the late Jaco Pastorius
Photos: Mishko M'Ba (extreme left) with his band; the late Jaco Pastorius
By
Shevlin Sebastian
When
Mishko M'Ba steps on the stage, the
audience is taken aback. He has thick brown braids going all the way
down, from his head, almost to the floor. The braids are brown, while
the curly hair on his head is grey. The pencil-thin Mishko wears a
striped black and white coat, but one side is longer than the other.
Underneath is a black T-shirt. Apart from that, he has long narrow
trousers, and grey shoes.
The
other band members look more regular: saxophonist Matt Littlewood, in
jeans and white shirt, but with a tiny tuft under his lips. Drummer
Suresh Bascara wears a white T-shirt that looks more like a vest. And
Karan Joseph is an ordinary guy excepts when he starts to play the
keyboard. Then he grimaces, opens his mouth, nods, shakes his head
from side to side, as if he is going through excruciating pain.
The
group's performance was a 25th anniversary tribute to
Jaco Pastorius, who died, in 1987, at the age of 35. Regarded as a
legend for his innovations, Pastorius is one of the most influential
electric bass players of all time. In 1988, the late musician was
inducted in the Jazz Hall of Fame.
As journalist Bill Milkowski
writes in 'Jazz Times': “Today, that unique two-syllable name still
registers awe in Japan and France, Germany and Switzerland, Italy and
England, Cameroon and Korea, all throughout North America and South
America -- and everywhere else that people recognize heart and
soul.” As for Mishko he stumbled upon Pastorious’ solo album,
‘Jaco’. “It remained my reference album for several years,”
he says. “When its influence was everywhere, I decided not to
listen to it any more.”
Mishko
began proceedings with 'Come on, Come over'. It takes a while to
learn to enjoy the sounds of jazz. But Mishko easily makes an
impression, what with his fingers dancing over the strings, a master
at work. He frequently closes his eyes, bends his body with the
effort, and communicates constantly through his eyes with the other
members.
The French-born Mishko studied classical music in Toulouse,
before concentrating on jazz and rock. He has played with legends
like the late 'soul' singer Ray Charles. Today, he is associated with
many jazz groups all over the world, and divides his time between
Pondicherry and France.
Soon,
the band plays jazz great Miles Davis' 'Donna Lee'. In this song, it
was interesting to see Suresh hitting the drums with the flat of his
palms, as well as on the cymbals. In the '3 View of Secret', the
saxophone takes the lead, with gentle accompaniment by the guitar and
drums.
Thereafter,
the band moves into 'Opus Pocus'. Says reviewer Jared Pauley in
jazz.com: 'Jaco Pastorius composed a hypnotic groove for ‘Opus
Pocus’, complete with steel drums. The best part is when Pastorius
plays a bass line. This is one of the funkiest songs I have ever
heard and I would beg anyone to disagree with me.'
Entrepreneur Ajai Joseph says, “It was amazing. They played some wonderful stuff. I have listened to jazz greats like Charlie Parker on CDs, but this was the first concert that I was attending.”
E. Nandakumar, the former CEO of BPCL-Cochin Refinery, also found the concert interesting. “However, I felt, there was not much of a variety, as compared to Indian classical music,” he says. But Nandakumar liked the latter half of the concert, when the group played songs like 'Continuum', 'Birdland', ' Teen Town,' and 'The Chicken'.
‘The Chicken’, which was the finale, even to one who is not attuned to jazz in any way, can be easily recognized as a superb work, creating all sorts of wonderful emotions in the listener. In the end, Mishko and his band impressed with their remarkable skills and talent.
(The New Indian Express, Kochi)
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