A
riveting two-hour performance, 'Pancham...the Immortal Note',
highlighted the life and career of Rahul Dev Burman, the legendary
Bollywood music composer
By
Shevlin Sebastian
In
1993, when director Vidhu Vinod Chopra was thinking about getting a
music composer for his film, '1942 – A Love Story', he thought of
Rahul Dev Burman (nickname: Pancham – the fifth musical note). At
that time, Pancham had been in the wilderness for eight years. From
the mid 1980s, he had 27 flops in a row. And he was short of
confidence. He did not know why the people had rejected him. And it
was then that Vidhu approached Pancham out of the blue. He told the
film's story and after a week, he went to listen to the tunes.
Pancham
began singing a song in the style of the mid 1980s, with a tabla
providing the music. Then Pancham stopped and said, “What is your
first reaction?”
A
disappointed Vidhu said, “You are the finest music director alive
today and is this what you are giving me?”
One
by one the other musicians left the room. There was only Pancham and
Vidhu in the room.
In
the sudden silence, Pancham said, “Am I doing the film or not?”
Clearly,
this was the lowest point of the legendary Bollywood composer's life.
Vidhu
said, “Dada, don't give me this emotion. Give me the music I am
seeking from you. And, of course, you are doing the film. You are the
best.”
And,
eventually, Pancham lived up to Vidhu's confidence. The songs of
'1942 – A Love Story' were chart busters and are now regarded as
classics. But unfortunately, Pancham was not there to enjoy his
redemption. A few weeks before the audio release, Pancham died of a
heart attack on January 4, 1994, aged 54.
This
interview with Vidhu was shown during a riveting two-hour production,
called 'Pancham...the immortal Note', which was staged by the
Pune-based Niche Entertainment at the JT Pac, Kochi. It traced the
life of the composer from his childhood days till the end.
“Pancham
spent his childhood in Kolkata under the care of his maternal
grandmother,” said Milind Oak, the director and anchor of the show.
“At that time, his father Sachin Dev Burman was making his mark in
Mumbai as a music composer.”
When
the boy had grown up a bit, he would go to Mumbai during the summer
vacations and stay with his father. Once playback singer Asha Bhonsle
was introduced to a thin fellow. “Pancham has come for his school
holidays to Mumbai,” Sachin Dev told Asha. A few months later, Asha
again saw Pancham.
So
Asha asked Sachin, “Are there more holidays now?”
Sachin
Dev said, “He has failed.” And Pancham stayed on and became an
assistant to his father and worked on many films.
Later,
he began composing on his own. But it was his fifth (Pancham) film,
'Teesri Manzil' (1966), directed by Nasir Hussain which was a hit. He
never looked back. Hit after hit followed. And it was a pleasure to
hear the songs – from films like 'Kora Kagaz', 'Kati Patang', 'Amar
Prem' and 'Aradhana' – sung with felicity and verve by singers
Hrishikesh Ranade, Jitendra Abhyankar, Rama Kulkarni and Priyanka
Barve.
Sometimes,
there were dances, done ably by Kunal Phadke and team. And every now
and then, there would be video interviews with luminaries like
Gulzar, Usha Uthup, Shiv Kumar Sharma, Shankar Mahadevan, Rishi
Kapoor, Javed Akhtar Shammi Kapoor and Laxmikant Pyarelal.
And
all had praise for Pancham “I have seen 'Padosan' more than
100 times,” says Pyarelal. “But even today if it is shown on any
TV channel, I stop all my work and keep looking at the film and
listen to the songs, because nobody, other than Pancham, could make
music like this.”
Not
many people know that Pancham had a hugely talented orchestra to back
him up. They included stars like Louis Banks on the synthesizer and
piano, Hari Prasad Chaurasia on the flute, Sultan Khan on the
sarangi, and, occasionally, Shiv Kumar Sharma on the santoor.
“One
reason they worked for him was because he was simple, humble and
caring,” says Milind Oak. In fact, when Ranjeet Gazmer, one of
Nepal's leading composers, who was nicknamed Kancha bhai by Pancham,
had a slipped disc and was bedridden for six months, the latter
visited his house every day with food and medicines. Incidentally,
Kancha Bhai played the madal (a Nepalese hand drum).
Pancham's
career went on and on. In the end, he scored the music for 331 films.
These included 292 (Hindi) 31 (Bengali) and the rest in Telugu,
Tamil, Oriya, and Marathi.
What
was a revelation was that during the Durga Puja celebrations in West
Bengal, Pancham regularly brought out Bengali albums, in which he
himself sang, that were hugely popular.
In
his personal life, Pancham was briefly married to Rita Patel, a fan
who had met him in Darjeeling. They split up and Pancham's
unforgettable 'Musafir Hoon Yaaron' (Parichay), was composed by him,
when he was staying at a hotel following the separation. Later,
Pancham married Asha, who was six years older, in 1980, but the
relationship went through troubled times.
In
the end, Pancham's life and career were unforgettable and so was the
stage show by Niche Entertainment.
(Published
in The New Indian Express, Kochi and Thiruvananthapuram)
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