Tamil
director RS Prasanna has made a two-hour biopic on Swami
Chinmayananda, one of India's great spiritual figures
Photo by P. Ravi Kumar
By Shevlin Sebastian
In July, 2013, Tamil film director RS Prasanna had gone to Los Angeles to do post-production work on his debut film, ‘Kalyana Samayal Saadham’. On his return, he decided to have a stopover at Hongkong, so that he could spend time with his uncle, S. Narayanamoorthy. Right next to Narayanamoorthy's house, on Mody Road, is the Chinmaya Seva Ashram.
Photo by P. Ravi Kumar
By Shevlin Sebastian
In July, 2013, Tamil film director RS Prasanna had gone to Los Angeles to do post-production work on his debut film, ‘Kalyana Samayal Saadham’. On his return, he decided to have a stopover at Hongkong, so that he could spend time with his uncle, S. Narayanamoorthy. Right next to Narayanamoorthy's house, on Mody Road, is the Chinmaya Seva Ashram.
One
day, Narayanamoorthy, a devotee, took Prasanna to the Mission. When
Prasanna was introduced to Swamini Supriyananda as a former student
of the Chinmaya Vidyalaya school at Anna Nagar, Chennai, as well as a
film-maker, she said, “The Mission is planning to make a film on
Swami Chinmayananda [the founder of the Chinmaya Mission]. So, why
don’t you meet Swami Mitrananda in Chennai who is spearheading the
project?”
When
Prasanna met Swami Mitrananda, following extensive discussions, he
was invited to make the film. “It was my destiny,” says the
film-maker.
The
two-hour long film, ‘On A Quest’, based on a script by Swami
Mitrananda, was shot in places like Kochi, Gurgaon, Delhi, Sidhbari,
near Dharamsala, as well as the Divine Life Society at Rishikesh
where Swami Chinmayananda had spent some time.
The
film has a time frame, from 1910 to the 1980s. A team headed by
co-director Anand Krishnamoorthi did meticulous research, to portray
accurately the period costumes as well as the props.
Meanwhile,
the person chosen to play the older Swami Chinmayananda was an
out-of-the-box selection. He is Thotta Tharani, one of Kollywood’s
leading art directors. “My costume designer, Preethi Kanthan,
suggested Tharani Sir's name,” says Prasanna. “She used to work
under him. Preethi said that Tharani Sir had a remarkable physical
resemblance to Swami Chinmayananda.”
Which
turned out to be correct. And that was how Tharani was invited to act
in the film. “It was his first role, but Tharani Sir was more than
happy to do it, because it is a spiritual film,” says Prasanna. “He
has given a fantastic performance. And so has Sandeep, a monk, who
plays the younger Chinmayananda.”
Asked
about the qualities of Swami Chinmayananda, Prasanna says, “Apart
from being a great saint, he was a fantastic orator. The crew used to
joke that some of his dialogues were like punch lines in a Rajnikanth
film. And there are so many witty and interesting episodes which we
have highlighted in the movie.”
In
1947, people avidly listened to the radio, to get all the news
following India's Independence on August 15. One day Swamiji switched
off the radio. When his companions asked him why, he said, “India
is free, but are Indians free?”
Once
when Chinmayananda met his mentor, Swami Shivananda, he kept asking
questions expressing his doubts about the existence of God, and asked
whether the latter was fooling the people by wearing a saffron robe.
Swami
Shivananda said, “I can answer your questions in 15 minutes, but
you should decide whether you have only questions to ask or are you
on a quest?”
This
became the motto of Chinmayananda’s life. When asked to explain the
enduring influence of Swami Chinmayananda (1916-1993), Prasanna says,
“He has a wonderful way of appealing to the skeptic, as well as the
divine in all of us.”
The
bio-pic will have its global premiere in September.
(Sunday Magazine, The New Indian Express, South India and Delhi)
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