English
teacher Lekha Nambiar has brought out an engaging collection of short
stories
Photos: Lekha Nambiar. Pic by Melton Anthony; the book cover
By
Shevlin Sebastian
It
is not every day that one's debut collection of short stories can get
a preface written by a noted writer. But the introduction to Lekha
Nambiar's 'Mysterious Resonance' was written by none other than the
award-winning writer M. Mukundan.
And
this is what he wrote: 'These stories are written in English, but the
author is a Malayalee. There aren't many female Malayalee writers
writing in English. Though a debutante, Lekha's voice is to reckon
with. When you have read all the stories in this collection, you will
have a better understanding of the working of a woman's mind.'
This
is indeed an engaging collection of stories, mostly, from a woman's
viewpoint, but there are some interesting exceptions. In 'Umbrella',
Lekha has written it from the point of view of an umbrella: 'It took
around two weeks for the first customer to pick me up. I instantly
hated his rough hands and lecherous eyes. He was so outrageously
insensitive that when he carried me in his arms, his nails almost
pierced my soft flesh'.
Most
of the stories are just two or three pages long. And it is an easy
read, with simple sentences and spare imagery.
Despite
this spareness, she is able to convey a lot. In 'Mindscape, Lekha
writes about two women friends, who set out on an outing towards a
mountain and later, stop at a pond:
'They
removed their clothes feeling no shame around their naked bodies.
Like a pair of majestic swans, they skimmed on the glassy surface of
the water. Kavitha wrapped her arms around Sukanya and both laced
their fingers together. As the luscious unevenness of their flesh
created soft ripples, they mutually adored their feminine grace.
After swimming for some time, the girls walked towards the bank in a
dreamy langour. In the baking heat, both exhausted each other with
long caresses.'
“This
story is a celebration of the physicality of two females, and an
exploration of feminine sensuality,” says Lekha. “In fact,
those who read it told me there is a lesbian touch to the story,
although I was not aware of it when I wrote it.”
Sometimes,
she gets her inspiration from real life. In 'Agony', Lekha has
written about a woman who is married to a man who speaks very little,
while she is talkative. “This is a similar experience of a good
friend of mine,” says Lekha. “That is her agony. It is an
unrequited love. So I made it into a story but I used my imagination
also.”
The
18 stories have been divided into three sections: 'Nuances of Love';
'Some Existential Affairs' and 'Strands of Reminiscence'.
The
last section is autobiographical. These include memories of her dance
teacher, college mates and friends, as well as amusing encounters
with her own grandmother.
Here
is an extract:
'After
about a year when I went to see my grandmother, she gathered me to
her breasts and softly murmured into my ears.
“Give
me some poison.”
With
a shudder I sprang up and burst out, “What? Poison!”
With
a glint in her eyes, she replied, “Yeah.... that perfume you gave
me last time.'
Incidentally,
Lekha took five years to write the book. That is because she has a
full-time job as an English teacher at the Jama-Ath Higher Secondary
school at Thandakkad, near Perumbavur. Whenever she would find time,
Lekha would scribble something. The end result is a promising debut.
The
book, priced at Rs 195, has been brought out by Authors Press and is
available on Flipkart and Amazon.
(The
New Indian Express, Kochi and Thiruvananthapuram)
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