By
Shevlin Sebastian
Qasim
runs into a building, in which there are several apartments. He
checks door after door, but they are all locked. Finally, one is
open and he enters and shuts the door. There seems to be nobody
inside, but there is a sound of water falling in the bathroom. Qasim
tiptoes in and sees that the tap is, indeed, open, but the bathroom
is empty. Suddenly, the action stops and there is a message on the
screen: 'Some people are dying because of a lack of one drop of
water. Water is precious. Do not waste it.'
“Throughout
the film, I have placed similar messages,” says director Ajith. The
subjects include the wastage of electricity, the dangers of alcohol
and smoking, and the evils of dowry and casteism. “This is the
first time in a mainstream film that such a method has been used,”
says Ajith. “Of course, it is a risky move. There is always the
danger of the audience rejecting it.”
Asked
why the film is called 'Calling Bell', Ajith says, “When Qasim
enters any place, the thing which alerts him is the calling bell. He
is very afraid of it. It means that there is danger. In one scene, he
is inside a house, which has a shrill calling bell. Somebody keeps on
ringing it. Thinking that it is the police, he opens the door,
holding a pistol, and is ready to use it, but sees that it is a child
who had come to give birthday sweets.”
Ajith
is a veteran of the Malayalam film industry, having acted, mostly as
a villain, in more than 500 films. But all along he nourished a dream
to be a director. So, one day, he got the idea of a do-gooder thief
who steals from banks, and helps the poor. The script took six months
to write. But when he found it difficult to get a producer, he
decided to make the film himself, with the help of a friend, Rinoi
Rajan, under the banner of Rans Entertainers.
“The
problem with Malayalam films these days is that they are blindly
following the glitz and glamour of Tamil and Telugu films,” he
says. “A huge amount of money is spent to make grandiose sets.
Despite this, most films flop.”
Ajith
decided to make his debut work, in the style of his guru, the late
Padmarajan, and current directors, Satyan Anthikad and Kamal. “They
make simple films, and yet there is a moving message,” he says. “My
film aims to be in the same mould.”
Ajith
has been deeply influenced by Padmarajan. It was when he saw one of
the director's films in 1981 that he decided to join the industry. He
went and met Padmarajan, who hired him as an assistant. “But after
a while, Padmarajan told me that I should try my luck as an actor
because I had expressive eyes,” says Ajith.
To encourage him,
Padmarajan also gave Ajith a role in his film, 'Paranu, Paranu,
Paranu'. “That is how my career began,” says Ajith. “But today,
I want to take a new step by becoming a director.”
(Sunday Magazine, The New Indian Express, South India and Delhi)
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