Thereafter,
Anees shut himself in a room in his home at the beach town of
Varkala in southern Kerala and began non-stop reading. He also
wanted to be a writer. So he bought a 'Brother' typewriter and began
writing. “Later, my relatives told me that the only sound that
came out of my room was the tap-tap of the typewriter keys,” he
says. “They wondered what I was typing all day.”
This
period lasted for three years. Not surprisingly, his family thought
that Anees had lost his mind. Then he decided to travel. “I
thought that what was standing between me and good writing was a
lack of experience,” he says. So, at 19, Anees embarked on an
All-India tour which lasted for several months.
“When
I returned, I started writing again and my family became very
cautious with me,” says Anees, at his third-floor apartment in
Kochi. “They were scared I would disappear again.”
Soon,
Anees realised that he needed a job. “I joined advertising, because
it is the only industry that will accept a college dropout,” he
says. And it has worked out fine. Today Anees is the Kochi-based
Creative Head of Draft FCB Ulka Advertising.
In
his spare time and in the early mornings, Anees was busy writing
novels. “My first readable book was 'Vicks Mango Tree',” he says.
“The first draft was completed when I was 28, but I did not have
the courage to send it out. I knew that a rejection letter was on the
way. So I parked the book for some time in my drawer. Then, one day,
I sent a query to an American agent and got a rejection letter.”
Anees
wrote 'The Blind Lady's Descendants', which took two years to
complete. He sent a query letter to 50 American and English agents
and got rejections. Then the tenacious Anees wrote a third novel,
'Tales from the Vending Machine', in 2009. This time he decided to
send it to an Indian agent and selected Kanishka Gupta. “I tried a
trick,” says Anees. “I sent the query letter in the name of
Hasina Mansoor, the 21-year-old Muslim heroine of my novel. She is a
fan of Osama Bin Laden, hates Americans and Jews, and is a Muslim
fundamentalist.”
Kanishka
liked what he read and accepted the novel immediately.
“Anees
is a literary ventriloquist,” says Kanishka. “He gets under the
skin of his characters, which makes them very real. He also has a wry
sense of humour and unusual settings. In fact, it is hard to believe
that a man could capture the voice of a young Muslim girl so
effortlessly.”
Meanwhile,
the tireless Anees banged out his fourth novel, 'Vanity Bagh'. “It
is about the Hindu-Muslim divide,” he says. “I have seen people
supporting Pakistan during cricket matches. I believe that there is a
small Pakistan in every big Indian city. Essentially, a minority of
the minority may support Pakistan, while a minority of the majority
thinks that all Muslims are refugees.”
Today,
all four novels have been accepted by reputed publishers. The 'Vicks
Mango Tree' and 'Tales from a Vending Machine' have been taken up by
HarperCollins, the 'The Blind Lady's Descendants' by Tranquebar,
while 'Vanity Bagh' is by Picador. 'Vicks Mango Tree' and 'Vanity
Bagh' have been published, the latter, in the last week of April. In
‘Vanity Bagh’, the writing is simple, lucid, bright and
imaginative. So, it is no surprise that the published books are
selling steadily.
“More
importantly, they have been well received by the media and discerning
readers,” says Kanishka.
(Sunday Magazine, The New Indian Express, South India and Delhi)
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