COLUMN:
LOCATION DIARY
Actress
Kaniha talks about her experiences in the Tamil film, 'Five Star',
the Telugu film, 'Ottesi Chepputunna', and an unexpected meeting with
a Malayalam superstar
By
Shevlin Sebastian
Kaniha
was feeling happy. For her first film, 'Five Star' (2002), she was
shooting in Berne, Switzerland. She was so enthusiastic that when
there was no shoot involving her, she would stand beside the
director, Susi Ganeshan, and use the clapperboard.
One
morning, on the penultimate day of the shoot, the crew had got inside
a bus. They were about to do a picturisation for the song, 'Thiru
Thiruda'. As Kaniha stepped in, she realised that she had forgotten
her jacket. So she ran out, went to the hotel, collected it, and
returned.
As
she was about to step into the bus, she slipped and landed face-down
on the road. “I had blood all over my face,” she says. “I had
no clue from where it was coming.”
The
crew rushed her to a hospital, but it took almost an hour. While
there, the doctors realised that there was a severe cut in the gums.
So they stitched it together. When Kaniha stepped out of the
hospital, she noticed that there was dried-up blood all over her
dress.
Suddenly,
the director said, “Let's shoot. We have to finish the schedule.”
Kaniha
got a shock. “I was thinking to myself, 'What a cruel world I am
living in',” she says.
During
the shoot, they took shots of Kaniha, in silhouette, so that nobody
could notice there was anything wrong with her. Says Kaniha, “It
would take a few more years for me to realise that what Susi did was
right. The producer had spent lakhs of rupees, so the shoot had to be
finished on schedule. Otherwise, there would be cost overruns.”
In
January, 2003, Kaniha had another chance to go abroad. This was for
her first Telugu film, 'Ottesi Chepputunna'. The shoot was at
Queenstown, New Zealand. Hero Srikkanth wore a gaudy yellow shirt and
trousers, while Kaniha wore a green and red costume for the
picturisation of a song.
“The
crew placed us in the middle of a busy street,” says Kaniha. “Since
the camera was placed on the top of a building, nobody could see it.”
But thanks to a microphone in their ears, the actors would start
dancing following instructions from the director E Sattibabu.
“We
would dance, but the local bystanders thought that we were street
performers, since they could not see the camera. So, they would throw
coins at us,” says Kaniha. “It was so embarrassing. In between
shots, I stood at one side and thought, 'What am I doing here? People
are throwing money at me!'.” Somehow, the shoot concluded quickly.
But
Kaniha did not want another event to end quickly. Recently, she took
a morning flight from Chennai to Kochi. Feeling drowsy, she put on
her sunglasses and went off into a deep sleep. “Suddenly, I felt
somebody tap me,” she says. “I woke up, feeling very irritated.
And then I got a shock.”
It
was superstar Mohanlal. An ecstatic Kaniha shouted, “Lalettan.”
The
last film they worked together was 'Spirit' (2012). “I had not seen
him for a while,” she says. “When you are shooting or at an award
function, you have very little time to talk to each other.”
But,
this time, the duo enjoyed 50 minutes of uninterrupted conversation.
“We talked about cinema, about Lalettan's projects,” says Kaniha.
“He was open to talk about any subject. Lalettan is extremely
well-read and knowledgeable. I could have an intelligent conversation
with him. It was a memorable experience for me.”
(The
New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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