COLUMN:
LOCATION DIARY
Director
B. Unnikrishnan talks about his experiences in the films,
‘Grandmaster’ and 'Pramani'
Photos: Director B. Unnikrishnan with Jagathy and Mohanlal on the sets of 'Grandmaster' ; photo of B. Unnikrishnan by Kaviyoor Santhosh
By
Shevlin Sebastian
Director
B. Unnikrishnan was taken aback. On the set of his film,
‘Grandmaster’, at Kochi, on March 9, 2012, the final day of the
shoot, veteran actor Jagathy Sreekumar told Unnikrishnan he wanted to
dub his voice by using the rushes as a reference. “Usually, the
dubbing is done after the first edit,” says Unnikrishnan. “But
Jagathy told me he wanted to finish it.” And so it was done.
It
had been an enjoyable shoot. What Unnikrishnan like the most was the
good-hearted teasing that took place between superstar Mohanlal and
Jagathy.
And
he gives an example. “Jagathy had a particular habit,” says
Unnikrishnan. “After lunch, he would always take a nap for half an
hour. Once, we were shooting at Cherai beach. And, immediately, after
lunch, Jagathy went to sleep in a room at a nearby house. Mohanlal
saw Jagathy sleeping through a window.”
The
star then borrowed a phone and called up the production executive,
Mani (name changed). He changed his voice and said, “I am calling
from another location. I need to talk to Jagathy immediately.”
Since
Jagathy does not keep a cell phone, Mani took his mobile, went into
Jagathy's room, woke him up and said, “Sir, there is a call for
you.”
When
Jagathy took the phone, Mohanlal said, “Sir, can I tell you an
interesting joke?” And they both burst out laughing.
There
is a back story to this. Mohanlal was working with Jagathy in ‘Naran’
(2005), a film directed by Joshy. They were shooting late at night,
somewhere in Tamil Nadu, when a tall and broad-shouldered man
approached the duo and said, in Tamil, “Excuse me.”
Both
of them thought he was an important person.
The
man paused and said, “Can I tell you an interesting joke?”
They
found it weird and ignored him.
“Ever
since that day, during the 'Grandmaster' shoot, whenever Jagathy
would be resting between shots, Mohanlal would come up from behind
and say, 'Can I tell you an interesting joke?’” says
Unnikrishnan. “Even though Jagathy was always serious and sombre
between takes, Mohanlal had the ability to make him laugh.”
On
that last day, Jagathy approached Unnikrishnan and complimented him
on the film. “Thereafter, he came for the pack-up party, which he
usually never does. He then informed me that he would have to travel
through the night to reach Kodagu (in Karnataka), where a shoot of
Lenin Rajendran’s ‘Idavappathy' was taking place,” says
Unnikrishnan.
Unfortunately,
during the early hours of March 10, the vehicle hit a median on
National Highway 17, at Tenhipalam, in Malappuram district. Jagathy
suffered serious head injuries from which he has not completely
recovered. “Looking back, if Jagathy had not done the dubbing,
before he left, it would have been difficult for me to release the
film,” says Unnikrishnan.
In
another experience, on the set, 'Pramani' (2010), a young girl was
appointed to play Fahadh Faasil's sister in the movie. “She was a
bubbly and high-spirited girl,” says Unnikrishnan. “But all of us
always treated her like a child.”
She
interacted with everybody, except for Fahadh, who, true to his
introvert nature, kept to himself. “She had acted with Mammooty in
'Palunku' [directed by Blessey],” says Unnikrishnan.
So,
it did come as a complete surprise, when Unnikrishnan was invited to
Fahadh's wedding reception, on August 21, 2014, at
Thiruvananthapuram, and came to realise that the young girl on the
'Pramani' set had become Fahadh's wife.
"I
jokingly reminded Nazriya [Nazim] that she first met Fahadh on the
sets of my film,” says Unnikrishan. “She gave me a shy smile.”
(The
New Indian Express, Kochi, Thiruvananthapuram and Kozhikode)
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