Veteran
director Lenin Rajendran focuses on a Tibetan theme in his upcoming
‘Edavapathi’
Photos: Uthara Unni; (from left): Siddharth Lama, Manisha Koirala and Uthara Unni
By
Shevlin Sebastian
Five
years ago, veteran director Lenin Rajendran went to the Tibetan
settlement of Bylakuppe in Karnataka. He stayed there for three days.
While there he interacted with the monks and the people, and got an
idea of their daily life.
But
Rajendran also had a revelation. “I realized that, although they
have been living in India for 57 years, their hearts are in Tibet
and, more specifically, in the capital, Lhasa,” says Rajendran.
“This feeling was there even among those who have never been to
Tibet.”
There
were many reasons for their alienation. “The Tibetans have no
passport,” says Rajendran. “They cannot own property in India,
or, for that matter, anywhere in the world. They cannot get jobs in
the government. They are treated as foreigners. They are a people
without a country.”
Another
reason for their alienation is because the local people resent the
presence of the Tibetans. “They feel that it is their lands which
the Tibetans have occupied,” says Rajendran. “In contrast, the
many Malayalis who have settled down there get along very well with
them.”
Incidentally,
Bylakuppe is a beautiful place. When the Tibetans first occupied the
land, there was nothing there. “But they made it a wonderful
area,” says Rejendran. “They do a lot of farming and earn
money through the sale of their crops.”
All
these varying strands became the inspiration for Rajendran to write
the script for the film, ‘Edavapathi’ (Map of Tears and Blood),
which is releasing in mid-January.
The
priest is played by Siddharth Lama, who Malayalis remember as the
cute young Nepali lad Rimpoche or ‘Unnikuttan’ in the 1992 film,
‘Yodha’, in which Mohanlal played the hero. “Yes, in a
way I have taken a risk by casting Siddharth, and not a regular
Mollywood actor, as the lead,” says Rajendran.
However,
star power has been provided by Bollywood actor Manisha Koirala, who
plays the wife of an absconding estate manager of a coffee estate,
and looks after their daughter. “This daughter, played by Uthara
Unni, falls in love with the priest,” says Rajendran.
Along
with the main theme, there is a parallel story of the poem about
Vasavadatta by legendary Malayali poet Kumara Asan. In the film,
Vasvadatta, a renowned dancer, is portrayed as having a great love
for wealth and sexuality. But, in her innermost self, she pines for
the love of the poor monk Upagupta.
“Manisha
plays the mother of Vasavadatta (again acted by Uthara Unni),” says
Rajendran.
Shooting
took place at Bylakuppe, Hampi, Munnar and the Rohtang Pass in
Himachal Pradesh. “In fact, last month, the authorities had closed
the roads because of heavy snow in the pass, but, just for us, they
allowed us to shoot for one more day,” says Rajendran. “They told
us to be very careful, as a single mis-step could cause us to fall
5000 ft. But thankfully everything went off smoothly.”
And
Rajendran is grateful to the Tibetans as well as those in Himachal
Pradesh. “They were so supportive and helpful,” he says. “And I
hope the audience will enjoy the film.”
(The
New Indian Express, Kochi and Thiruvananthapuram)
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